Holly Schmidt (Canadian, b. 1976) is an artist, curator and educator engaging in embodied research, collaboration and informal pedagogy. She creates site-specific public projects that lead to experiments with materials in her studio. As the core of her work, Schmidt explores the multiplicity of human relations with the natural world. During her residency with the Belkin’s Outdoor Art Program, Schmidt has utilized spaces between campus buildings through a process of collective knowledge production. These artistic and ecological interventions foster relationships with plants in a manner that is both distinct from the formal, university landscape design as well as from standard notions of gallery space. Schmidt has been involved in exhibitions, projects and residencies at the Belkin Outdoor Art Program; the Burrard Arts Foundation, Vancouver; AKA Gallery, Saskatoon; Charles H. Scott Gallery, Vancouver; the Santa Fe Art Institute; Burnaby Art Gallery; and Other Sights for Artists’ Projects, Vancouver.
Vegetal Encounters is Holly Schmidt’s multi-year residency with the Outdoor Art program at UBC. Through this residency, Schmidt has been creatively engaging with plant life as a significant source of life, connection and learning. The artist suggests that learning with plant life involves slowing down and using all of the senses to engage deeply and with respect. As part of her residency, she has been creating opportunities for students, staff and faculty on campus to attend to the plants around them, which has resulted in a range of art projects in various media and of different durations. Vegetal Encounters is curated by Barbara Cole and commissioned with support from UBC’s Matching Fund for Outdoor Art through Infrastructure Impact Charges.
Fireweed Fields, Spring 2021
Fireweed Fields transforms a UBC lawn site into a fireweed meadow, encouraging increased biodiversity through gradual succession as a metaphor for the resurgence of life after a crisis. This installation acknowledges the global climate emergency: by tearing through the fabric of maintained lawns and colonial ideals, it plants the initial seeds for change and catalyzes dialogue, creative experimentation, and new biodiversity research and learning opportunities.
Accretion, Spring 2020
Schmidt describes Accretion (2017-), a different but overlapping community-engagement project that is already underway, thusly: “The first phase of Accretion examined the concept of precarity through a particular type of granite used in the construction of early colonial buildings at the turn of the last century and in recent developments in Vancouver. Through photography, video and writing, I documented the journey of a 14.7-ton slab of granite from its extraction on Hardy Island (the traditional territories of the Shishalh and Sliammon Nations) and transportation to the Vancouver Mainland.” The granite was moved by crane to a site behind the Belkin for the final phase of Accretion, which will involve consultation and gatherings with a diverse group of project contributors to determine the future of the granite.
Nomadic Structures, Spring 2020
Working with students from UBC’s Environmental Design program, part of the School of Architecture and Landscape Architecture, Schmidt led an exploration of nomadic architecture that would lead to a design-build project for artist-led gatherings throughout the UBC campus.
Mycology Collaboration and a Sensorial Walk, Fall 2019
During the Fall of 2019, Holly Schmidt, Shelly Rosenblum, Belkin Curator of Academic Programs and Brett Couch, Senior Instructor in the Departments of Botany and Zoology worked together to create novel pedagogical experiences for students in a third year biology course on Mycology. The groups came together to consider how research and teaching methodologies might mutually inform one another’s practices, both in terms of obstacles and achievements, and how to use these insights to enhance and enrich students’ experiences.
Forecast, Summer 2019
Schmidt’s Forecast (2019) – the first public intervention that developed as part of Vegetal Encounters – offers an alternative approach to experiencing weather. Throughout the first week of June, when UBC hosted the Congress of the Humanities and Social Sciences, Schmidt daily installed a brief text describing the environmental conditions to be expected – “environmental” in the most open sense of the word.
Holly Schmidt (Canadian, b. 1976) is an artist, curator and educator engaging in embodied research, collaboration and informal pedagogy. She creates site-specific public projects that lead to experiments with materials in her studio. As the core of her work, Schmidt explores the multiplicity of human relations with the natural world. During her residency with the Belkin’s Outdoor Art Program, Schmidt has utilized spaces between campus buildings through a process of collective knowledge production. These artistic and ecological interventions foster relationships with plants in a manner that is both distinct from the formal, university landscape design as well as from standard notions of gallery space. Schmidt has been involved in exhibitions, projects and residencies at the Belkin Outdoor Art Program; the Burrard Arts Foundation, Vancouver; AKA Gallery, Saskatoon; Charles H. Scott Gallery, Vancouver; the Santa Fe Art Institute; Burnaby Art Gallery; and Other Sights for Artists’ Projects, Vancouver.
The 2022 Fireweed Fields Summer Intensive was less about searching for lost time and more about grappling with the time we do have and the conditions we share. As it does in Proust’s famous passage, scent-memory wove an important thread through the words exchanged over the course of these two days.
[more]Join artists kQwa’st’not (Charlene George) and Holly Schmidt for a conversation about their art practices in relation to the climate crisis.
[more]At the Belkin, we often receive questions about the University’s Outdoor Art Collection and what is involved with commissioning, acquiring or accepting donations. Responding to this growing interest, we issue annual outdoor art newsletters to share updates and backstory information about what is involved with curating, stewarding and activating the collection. These newsletters also offer a forum for the Belkin’s curatorial team to share their research and insights about art in public space.
[more]In collaboration with the UBC Film Society and screening at The Norm, the Belkin presents a short program of films selected by Holly Schmidt that resonate with Vegetal Encounters, her slow residency in the gallery's Outdoor Art Program. The selected films, Wild Relatives, Fordlandia and Indigenous Plant Diva, engage in multiform ways with questions of presentness, biodiversity and learning from the relationships between human and non-human beings.
[more]On Sunday, June 20, the summer solstice, we will project Jumana Manna’s film Wild Relatives (64 minutes, 2018) on the Belkin's Outdoor Screen located on the exterior of the gallery's wall along Main Mall, in a conversation across media with Holly Schmidt’s Fireweed Fields. The strange, spasmodic course of space and time in recent months has been mitigated by little other than the changes in seasons, the rhythms of nature, and the communal spaces offered by the outdoors. Seasonal and celestial markers such as that of the solstice bring this collective orientation upward and outward into marked relief. Wild Relatives will screen first at 11 am and then on each odd hour with the last screening at 7 pm.
[more]Fireweed Fields transforms a UBC lawn site into a fireweed meadow, encouraging increased biodiversity through gradual succession as a metaphor for the resurgence of life after a crisis. This installation acknowledges the global climate emergency: by tearing through the fabric of maintained lawns and colonial ideals, it plants the initial seeds for change and catalyzes dialogue, creative experimentation, and new biodiversity research and learning opportunities.
[more]As part of Holly Schmidt's Vegetal Encounters residency, the artist has collaborated with Lecturer Bill Pechet and students from UBC’s Environmental Design (ENDS) program, in the School of Architecture and Landscape Architecture to explore the potential for a mobile structure to support residency programming on campus.
[more]The Belkin’s Lorna Brown talks with artist in residence Holly Schmidt about her practice and its relationship to care, distance and embodiment in this very particular historical moment.
[more]Students from UBC’s Department of Biology practice botanical drawing – and immersive observation – with artist in residence Holly Schmidt.
[more]As part of Holly Schmidt’s three-year residency at UBC, the artist presents Forecast (2019-23), the latest in a series of short poetic texts using the language of weather reporting to speculate on collective responses to environmental changes.
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