Holly Schmidt (Canadian, b. 1976) is an artist, curator and educator engaging in embodied research, collaboration and informal pedagogy. She creates site-specific public projects that lead to experiments with materials in her studio. As the core of her work, Schmidt explores the multiplicity of human relations with the natural world. During her residency with the Belkin’s Outdoor Art Program, Schmidt has utilized spaces between campus buildings through a process of collective knowledge production. These artistic and ecological interventions foster relationships with plants in a manner that is both distinct from the formal, university landscape design as well as from standard notions of gallery space. Schmidt has been involved in exhibitions, projects and residencies at the Belkin Outdoor Art Program; the Burrard Arts Foundation, Vancouver; AKA Gallery, Saskatoon; Charles H. Scott Gallery, Vancouver; the Santa Fe Art Institute; Burnaby Art Gallery; and Other Sights for Artists’ Projects, Vancouver.
Fireweed Fields is part of Vegetal Encounters, Holly Schmidt’s durational artist residency in the Outdoor Art program. Vegetal Encounters is one of a number of public art initiatives at the UBC Vancouver campus.
Fireweed Fields transforms the Belkin’s lawns into a fireweed meadow, encouraging increased biodiversity through gradual succession as a metaphor for the resurgence of life after a crisis. This installation acknowledges the global climate emergency: by tearing through the fabric of maintained lawns and colonial ideals, it plants the initial seeds for change and catalyzes dialogue, creative experimentation and new biodiversity research and learning opportunities. Meadow plants include fireweed, lupins, yarrow and Idaho fescue. Two cedar boardwalks lead into the meadow, their configurations referencing the rhizomatic root structure of fireweed. The boardwalk design was a collaboration between Schmidt and artist/designer Charlotte Falk.
Fireweed Fields is a collaboration between the Belkin, the Sustainability Initiative and the Botanical Garden’s Horticulture Training Program at UBC. A robust program of discussions, workshops, screenings and field research will unfold with project collaborators and campus partners, including the Beaty Biodiversity Museum, Climate Hub and the Botanical Garden at UBC and the Sierra Club BC. Additional contributors include Marina Roy (Department of Art History, Visual Art and Theory) and Chrystal Sparrow (Faculty of Land and Food Systems).
Fireweed Fields is curated by Barbara Cole and commissioned with support from UBC’s Matching Fund for Outdoor Art through Infrastructure Impact Charges. The artist would like to acknowledge that this work is situated on the traditional, ancestral and unceded territory of the hən̓q̓əmin̓əm̓-speaking Musqueam people and invites reflection on this relationship. Fireweed has many gifts to offer and the artist is assisting in the respectful gathering and sharing of those gifts.
Watch a video of planting Fireweed Fields at the Belkin below:
Holly Schmidt (Canadian, b. 1976) is an artist, curator and educator engaging in embodied research, collaboration and informal pedagogy. She creates site-specific public projects that lead to experiments with materials in her studio. As the core of her work, Schmidt explores the multiplicity of human relations with the natural world. During her residency with the Belkin’s Outdoor Art Program, Schmidt has utilized spaces between campus buildings through a process of collective knowledge production. These artistic and ecological interventions foster relationships with plants in a manner that is both distinct from the formal, university landscape design as well as from standard notions of gallery space. Schmidt has been involved in exhibitions, projects and residencies at the Belkin Outdoor Art Program; the Burrard Arts Foundation, Vancouver; AKA Gallery, Saskatoon; Charles H. Scott Gallery, Vancouver; the Santa Fe Art Institute; Burnaby Art Gallery; and Other Sights for Artists’ Projects, Vancouver.
The 2022 Fireweed Fields Summer Intensive was less about searching for lost time and more about grappling with the time we do have and the conditions we share. As it does in Proust’s famous passage, scent-memory wove an important thread through the words exchanged over the course of these two days.
[more]Join artists kQwa’st’not (Charlene George) and Holly Schmidt for a conversation about their art practices in relation to the climate crisis.
[more]Vegetal Encounters is Holly Schmidt’s three-year residency with the Outdoor Art Program at UBC. Through this residency, Schmidt has been creatively engaging with plant life as a significant source of life, connection and learning.
[more]As part of Holly Schmidt’s three-year residency at UBC, the artist presents Forecast (2019-23), the latest in a series of short poetic texts using the language of weather reporting to speculate on collective responses to environmental changes.
[more]In collaboration with the UBC Film Society and screening at The Norm, the Belkin presents a short program of films selected by Holly Schmidt that resonate with Vegetal Encounters, her slow residency in the gallery's Outdoor Art Program. The selected films, Wild Relatives, Fordlandia and Indigenous Plant Diva, engage in multiform ways with questions of presentness, biodiversity and learning from the relationships between human and non-human beings.
[more]On Sunday, June 20, the summer solstice, we will project Jumana Manna’s film Wild Relatives (64 minutes, 2018) on the Belkin's Outdoor Screen located on the exterior of the gallery's wall along Main Mall, in a conversation across media with Holly Schmidt’s Fireweed Fields. The strange, spasmodic course of space and time in recent months has been mitigated by little other than the changes in seasons, the rhythms of nature, and the communal spaces offered by the outdoors. Seasonal and celestial markers such as that of the solstice bring this collective orientation upward and outward into marked relief. Wild Relatives will screen first at 11 am and then on each odd hour with the last screening at 7 pm.
[more]As part of Holly Schmidt's Vegetal Encounters residency, the artist has collaborated with Lecturer Bill Pechet and students from UBC’s Environmental Design (ENDS) program, in the School of Architecture and Landscape Architecture to explore the potential for a mobile structure to support residency programming on campus.
[more]The Belkin’s Lorna Brown talks with artist in residence Holly Schmidt about her practice and its relationship to care, distance and embodiment in this very particular historical moment.
[more]Students from UBC’s Department of Biology practice botanical drawing – and immersive observation – with artist in residence Holly Schmidt.
[more]In this edition of the Outdoor Art newsletter, we consider the ways in which artists’ practices are grappling with the politics of public space from both a local and global perspective. Through connections between two public art projects currently underway on the UBC campus with those being featured in the Belkin’s upcoming exhibition The Willful Plot, we can trace how the artworks forefront life cycles and the range of conditions that sustain or disrupt them. These artists explore in the broadest sense their relationship to the land.
[more]At the Belkin, we often receive questions about the University’s Outdoor Art Collection and what is involved with commissioning, acquiring or accepting donations. Responding to this growing interest, we issue annual outdoor art newsletters to share updates and backstory information about what is involved with curating, stewarding and activating the collection. These newsletters also offer a forum for the Belkin’s curatorial team to share their research and insights about art in public space.
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