Holly Schmidt is an artist, curator and educator who engages processes of embodied research, collaboration and informal pedagogy to explore the multiplicity of human relations with the natural world. Her work involves the creation of temporary site-specific projects and residencies, along with material-based explorations in the studio. Her national and international exhibitions, projects and residencies include: Vegetal Encounters (2019-21) with the UBC Outdoor Art Program, Quiescence (2019) at the Burrard Arts Foundation, A-Y with Locals Only (2018) at AKA Gallery, Pollen Index (2016) at the Charles H. Scott Gallery, Till (2014-15) at the Santa Fe Art Institute, Moveable Feast (2012) at the Burnaby Art Gallery and Grow (2011) with Other Sights for Artists’ Projects. Schmidt is grateful to live and work in Vancouver, Canada, the unceded territories of the Musqueam, Squamish and Tsleil-Waututh Nations.
As part of Holly Schmidt’s three-year residency at UBC, the artist presents Forecast (2019-ongoing), the latest in a series of short poetic texts using the language of weather reporting to speculate on collective responses to environmental changes. Printed on vinyl with a mirror finish, Forecast reflects the surrounding environment and explores the effects of weather patterns and seasonal shifts on the local campus ecology, including its plant, animal, fungal and human participants. Originally installed on the windows of the AHVA Gallery at UBC and presented as part of the exhibition …we can know more than we can tell… curated by Christine D’Onofrio, changing Forecast texts have appeared on the Belkin’s clerestory windows as well as on those of the Centre for Interactive Research on Sustainability (CIRS).
On the heels of another summer of strange weather, this Fall 2022 installation highlights an uneasy rift between the assertiveness of traditional weather reportage and the uncertain atmosphere in which we find ourselves operating. While previous iterations (Fall 2021 and Spring 2022) were composed solely by Schmidt, this season’s texts were developed through a collaboration with Schmidt and Sheryda Warrener’s graduate students in Creative Writing – Jasmine Ruff, Dora Prieto, Alejandra Morales, Hannah Möller, Eleanor Panno, Edie Chunn and Sofia Osborne.
Read the full Forecast texts from Fall 2021, Spring 2022 and Fall 2022.
Vegetal Encounters is Holly Schmidt’s multi-year residency with the Outdoor Art Program at UBC. Through this residency, Schmidt creatively engages with plant life as a significant source of life, connection and learning. The artist suggests that learning with plant life involves slowing down and using all of the senses to engage deeply and with respect. As part of her residency, Schmidt creates opportunities for students, staff and faculty on campus to attend to the plants around them. This engagement will result in a range of art projects in various media and of different durations.
Holly Schmidt is an artist, curator and educator who engages processes of embodied research, collaboration and informal pedagogy to explore the multiplicity of human relations with the natural world. Her work involves the creation of temporary site-specific projects and residencies, along with material-based explorations in the studio. Her national and international exhibitions, projects and residencies include: Vegetal Encounters (2019-21) with the UBC Outdoor Art Program, Quiescence (2019) at the Burrard Arts Foundation, A-Y with Locals Only (2018) at AKA Gallery, Pollen Index (2016) at the Charles H. Scott Gallery, Till (2014-15) at the Santa Fe Art Institute, Moveable Feast (2012) at the Burnaby Art Gallery and Grow (2011) with Other Sights for Artists’ Projects. Schmidt is grateful to live and work in Vancouver, Canada, the unceded territories of the Musqueam, Squamish and Tsleil-Waututh Nations.
Vegetal Encounters is Holly Schmidt’s three-year residency with the Outdoor Art Program at UBC. Through this residency, Schmidt has been creatively engaging with plant life as a significant source of life, connection and learning.
[more]Fireweed Fields transforms a UBC lawn site into a fireweed meadow, encouraging increased biodiversity through gradual succession as a metaphor for the resurgence of life after a crisis. This installation acknowledges the global climate emergency: by tearing through the fabric of maintained lawns and colonial ideals, it plants the initial seeds for change and catalyzes dialogue, creative experimentation, and new biodiversity research and learning opportunities.
[more]At the Belkin, we often receive questions about the University’s Outdoor Art Collection and what is involved with commissioning, acquiring or accepting donations. Responding to this growing interest, we issue annual outdoor art newsletters to share updates and backstory information about what is involved with curating, stewarding and activating the collection. These newsletters also offer a forum for the Belkin’s curatorial team to share their research and insights about art in public space.
[more]In collaboration with the UBC Film Society and screening at The Norm, the Belkin presents a short program of films selected by Holly Schmidt that resonate with Vegetal Encounters, her slow residency in the gallery's Outdoor Art Program. The selected films, Wild Relatives, Fordlandia and Indigenous Plant Diva, engage in multiform ways with questions of presentness, biodiversity and learning from the relationships between human and non-human beings.
[more]On Sunday, June 20, the summer solstice, we will project Jumana Manna’s film Wild Relatives (64 minutes, 2018) on the Belkin's Outdoor Screen located on the exterior of the gallery's wall along Main Mall, in a conversation across media with Holly Schmidt’s Fireweed Fields. The strange, spasmodic course of space and time in recent months has been mitigated by little other than the changes in seasons, the rhythms of nature, and the communal spaces offered by the outdoors. Seasonal and celestial markers such as that of the solstice bring this collective orientation upward and outward into marked relief. Wild Relatives will screen first at 11 am and then on each odd hour with the last screening at 7 pm.
[more]As part of Holly Schmidt's Vegetal Encounters residency, the artist has collaborated with Lecturer Bill Pechet and students from UBC’s Environmental Design (ENDS) program, in the School of Architecture and Landscape Architecture to explore the potential for a mobile structure to support residency programming on campus.
[more]The Belkin’s Lorna Brown talks with artist in residence Holly Schmidt about her practice and its relationship to care, distance and embodiment in this very particular historical moment.
[more]Students from UBC’s Department of Biology practice botanical drawing – and immersive observation – with artist in residence Holly Schmidt.
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