Matthew Ballantyne (Canadian, b. 1984) is an artist, poet and lapsed ironist. His work is preoccupied with birds despite their disinterest in him. For Ballantyne’s online project, visit https://belkin.ubc.ca/matthew-ballantyne/
Alejandro A. Barbosa (they/he) is an HIV- queer latinx visual artist born in Argentina who lives and works on the traditional, ancestral, and unceded territories of the Coast Salish peoples—the Musqueam, Squamish, and Tsleil-Waututh Nations—in what is known as Canada. Alejandro’s art practice focuses on lens-based media and revolves around questions on the politics of looking, the political implications of space exploration discourse, the flaws of representation, and queer lived experience. They hold an MFA in visual art from the University of British Columbia, and a BFA in photography from Concordia University. Alejandro’s work has been exhibited and collected in Argentina, Canada, Peru, and the United States.
Rosamunde Bordo (Canadian, b. 1991) is an interdisciplinary artist invested in exploring narrative possibilities through collections of objects and images, appropriated/ready-made texts, and a practice of creative writing. Bordo is the recipient of numerous awards including the Audain Travel Award and the B.C. Binning Memorial Fellowship. She has participated in artist residencies in Canada and Europe and is cofounder of everydaystollen, an experimental podcast series. She is currently based on the traditional unceded lands of the Musqueam, Squamish and Tsleil-Waututh Nations, known as Vancouver. For Bordo’s online project, visit https://belkin.ubc.ca/rosamunde-bordo/
Sam Kinsley (Canadian, b. 1982) is an interdisciplinary artist of settler ancestry currently living and learning on the unceded territory of the Musqueam, Squamish and Tsleil-Waututh Nations. Kinsley uses attentive repetition of chosen actions to investigate the implications of the habits and tendencies that her body takes up. The practice of repetition and re-acting allows her openings to question what is considered “natural” or “given,” and opportunities to re-orient. Kinsley is cofounder of an experimental podcast series everydaystollen.She has participated in artist residencies and has exhibited in galleries across Canada. For Kinsley’s online project, visit https://belkin.ubc.ca/sam-kinsley/
Nazanin Oghanian (Iranian, b. 1990) is a multidisciplinary artist whose practice unfolds from critical reflection around notions of the body, identity, gender, memory, politics and the establishment of a constant dialectic between the individual and the social. She earned a BFA in Sculpture from the University of Tehran in 2013 with her graduation project Fingerprint, a body of work that was awarded the first prize of The 7th Selection of New Generation by Homa Gallery. Oghanian’s work has been shown in several galleries in different cities in Iran, and since arriving in Canada she has shown her work at the AHVA Gallery and Dr. Sun Yat-Sen Classical Chinese Garden. For Oghanian’s online project, visit https://belkin.ubc.ca/nazanin-oghanian/
Jay Pahre (American, b. 1991) is a queer and trans settler artist, writer, and cultural worker currently based on the unceded territories of the of Musqueam, Squamish and Tsleil-Waututh peoples. Weaving between drawing, sculpture and writing, his work queries trans and queer nonhuman ecologies at points of intersection with the human. Originally from the midwestern US, Pahre has turned his work back toward the shifting ecologies of the Great Lakes and Great Plains regions. He received his BFA in painting and BA in East Asian studies in 2014, and his MA in East Asian studies from the University of Illinois in 2017. He went on to complete his MFA in visual art at the University of British Columbia in 2020. His work has been exhibited across the US and Canada. He was selected for the Transgender Studies Chair Fellowship at the University of Victoria (2020), as well as the Helen Belkin Memorial Scholarship (2020) and Fred Herzog Award in Visual Art (2019) at the University of British Columbia.
The Belkin Art Gallery is free and open to the public during our regularly scheduled hours. You do not need to reserve a time slot to visit the gallery, but please read about planning your visit during COVID-19 before you arrive.
The Morris and Helen Belkin Art Gallery is pleased to present an exhibition of work by the 2020 graduates of the University of British Columbia’s two-year Master of Fine Arts program: Matthew Ballantyne, Alejandro A. Barbosa, Rosamunde Bordo, Sam Kinsley, Nazanin Oghanian and Jay Pahre. This program in the Department of Art History, Visual Art and Theory is limited each year to a small group of four to six artists, who over the two years foster different sensibilities developed within an intimate and discursive working environment. We offer tours of the gallery for groups of up to five people. To request a tour, please email your preferred days and times to Public Programs.
This exhibition is presented with support from the Department of Art History, Visual Art and Theory at the University of British Columbia.
ARTIST INFORMATION
Matthew Ballantyne
The following are additional information and writings about Matthew Ballantyne’s art practice.
Alejandro A. Barbosa
Alejandro A. Barbosa – CV
Alejandro A. Barbosa – Artist Statement
2018 Solo Exhibition at the Closet Gallery, Montréal: Alejandro Barbosa: The Stain Are We Ourselves
Rosamunde Bordo
Rosamunde Bordo – CV
Rosamunde Bordo – Artist Statement
Chloё-Lalonde-writes-on-Rosamunde-Bordos-work-at-Ymuno-Exhibitions.pdf">Chloё Lalonde writes on Rosamunde Bordo’s work at Ymuno Exhibitions
Sam Kinsley
Sam Kinsley – CV
Sam Kinsley – Artist Statement
Virginia Mitford writes on Sam Kinsley’s work at ODD Gallery
Bernard Lamarche writes on Sam Kinsley’s work at the Musee National desBeaux-Arte du Quebec
Catherine Genest writes on Sam Kinsley’s work (Français)
Nazanin Oghanian
Jay Pahre
Jay Pahre – CV
Jay Pahre – Artist Statement
Wade Kinley writes about Jay Pahre’s work in the 格物 Investigation of Things Exhibition at the Dr. Sun Yat-Sen Classical Chinese Garden
Writing by Gratienne Daum on Jay Pahre’s work: Combien d’interprétations pour un même objet? (Français)
Matthew Ballantyne, Undesirable Moral Spillover, 2018-present.
Alejandro A. Barbosa, Somatics of the Self as Citational Form (still), 2020.
Rosamunde Bordo, Untitled, 2020.
Sam Kinsley, Place Holder III (detail), 2020.
Jay Pahre, Piebald Undercoat (detail), 2020.
Matthew Ballantyne (Canadian, b. 1984) is an artist, poet and lapsed ironist. His work is preoccupied with birds despite their disinterest in him. For Ballantyne’s online project, visit https://belkin.ubc.ca/matthew-ballantyne/
Alejandro A. Barbosa (they/he) is an HIV- queer latinx visual artist born in Argentina who lives and works on the traditional, ancestral, and unceded territories of the Coast Salish peoples—the Musqueam, Squamish, and Tsleil-Waututh Nations—in what is known as Canada. Alejandro’s art practice focuses on lens-based media and revolves around questions on the politics of looking, the political implications of space exploration discourse, the flaws of representation, and queer lived experience. They hold an MFA in visual art from the University of British Columbia, and a BFA in photography from Concordia University. Alejandro’s work has been exhibited and collected in Argentina, Canada, Peru, and the United States.
Rosamunde Bordo (Canadian, b. 1991) is an interdisciplinary artist invested in exploring narrative possibilities through collections of objects and images, appropriated/ready-made texts, and a practice of creative writing. Bordo is the recipient of numerous awards including the Audain Travel Award and the B.C. Binning Memorial Fellowship. She has participated in artist residencies in Canada and Europe and is cofounder of everydaystollen, an experimental podcast series. She is currently based on the traditional unceded lands of the Musqueam, Squamish and Tsleil-Waututh Nations, known as Vancouver. For Bordo’s online project, visit https://belkin.ubc.ca/rosamunde-bordo/
Sam Kinsley (Canadian, b. 1982) is an interdisciplinary artist of settler ancestry currently living and learning on the unceded territory of the Musqueam, Squamish and Tsleil-Waututh Nations. Kinsley uses attentive repetition of chosen actions to investigate the implications of the habits and tendencies that her body takes up. The practice of repetition and re-acting allows her openings to question what is considered “natural” or “given,” and opportunities to re-orient. Kinsley is cofounder of an experimental podcast series everydaystollen.She has participated in artist residencies and has exhibited in galleries across Canada. For Kinsley’s online project, visit https://belkin.ubc.ca/sam-kinsley/
Nazanin Oghanian (Iranian, b. 1990) is a multidisciplinary artist whose practice unfolds from critical reflection around notions of the body, identity, gender, memory, politics and the establishment of a constant dialectic between the individual and the social. She earned a BFA in Sculpture from the University of Tehran in 2013 with her graduation project Fingerprint, a body of work that was awarded the first prize of The 7th Selection of New Generation by Homa Gallery. Oghanian’s work has been shown in several galleries in different cities in Iran, and since arriving in Canada she has shown her work at the AHVA Gallery and Dr. Sun Yat-Sen Classical Chinese Garden. For Oghanian’s online project, visit https://belkin.ubc.ca/nazanin-oghanian/
Jay Pahre (American, b. 1991) is a queer and trans settler artist, writer, and cultural worker currently based on the unceded territories of the of Musqueam, Squamish and Tsleil-Waututh peoples. Weaving between drawing, sculpture and writing, his work queries trans and queer nonhuman ecologies at points of intersection with the human. Originally from the midwestern US, Pahre has turned his work back toward the shifting ecologies of the Great Lakes and Great Plains regions. He received his BFA in painting and BA in East Asian studies in 2014, and his MA in East Asian studies from the University of Illinois in 2017. He went on to complete his MFA in visual art at the University of British Columbia in 2020. His work has been exhibited across the US and Canada. He was selected for the Transgender Studies Chair Fellowship at the University of Victoria (2020), as well as the Helen Belkin Memorial Scholarship (2020) and Fred Herzog Award in Visual Art (2019) at the University of British Columbia.
Join artist Rosamunde Bordo for a Life Drawing Class as part of one sentence too many, one word too few: UBC Master of Fine Arts Graduate Exhibition 2020. In this iteration of the project, Bordo invites viewers "to help me with the production of drawings. If you choose to donate your drawing (anonymously or otherwise), it will be exhibited in the gallery space in the growing exhibition and contribute to this unfolding project. To do a project that requires physical presence at this time of isolation, I hope that there is a potential for the gallery to be a temporary space of connection."
[more]Experimental writing and drawing by Jay Pahre as a part of his body of work Flipping the Island.
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