Holly Schmidt (Canadian, b. 1976) is an artist, curator and educator engaging in embodied research, collaboration and informal pedagogy. She creates site-specific public projects that lead to experiments with materials in her studio. As the core of her work, Schmidt explores the multiplicity of human relations with the natural world. During her residency with the Belkin’s Outdoor Art Program, Schmidt has utilized spaces between campus buildings through a process of collective knowledge production. These artistic and ecological interventions foster relationships with plants in a manner that is both distinct from the formal, university landscape design as well as from standard notions of gallery space. Schmidt has been involved in exhibitions, projects and residencies at the Belkin Outdoor Art Program; the Burrard Arts Foundation, Vancouver; AKA Gallery, Saskatoon; Charles H. Scott Gallery, Vancouver; the Santa Fe Art Institute; Burnaby Art Gallery; and Other Sights for Artists’ Projects, Vancouver.
Over the past four years as the Belkin’s Artist in Residence, Holly Schmidt developed the Outdoor Art project Fireweed Fields (2021-24) that transformed the gallery’s lawn into a fireweed meadow. In response to the climate emergency, the project increased biodiversity on campus while serving as an important site for education and dialogue.
In November, this iteration of Fireweed Fields will come to a close, as the Belkin works with UBC’s Municipal Services on transitioning the site into a permanent meadow maintained by the university at large. Although Fireweed Fields has formally ended, Schmidt’s critical work and the relationships that she has helped build have fostered our long-term commitment to biodiversity on campus.
Before the Belkin transitions the meadow, we invite members of the public to visit Fireweed Fields over the month of October to collect and gather seeds from growing plants. Those who visit may find seeds from fireweed, yarrow, beggar-ticks, cinquefoils, self-heal and woolly sunflower plants, before they are washed away by the rain. It is by sharing these plants with community that we hope to continue to sow the seeds of ecological regeneration.
We are also pleased to announce the new publication Forecast, which centres on Schmidt’s series of short poetic texts that use the language of weather reporting to speculate on collective responses to environmental changes. Designed by Information Office, Forecast includes writing by the artist alongside essays and poetry by Bopha Chhay, Barbara Cole and Sheryda Warrener. We will launch Forecast early in the new year with readings and a celebration with the artist, but in the meantime, it is available for purchase at the gallery and on our website.
Holly Schmidt (Canadian, b. 1976) is an artist, curator and educator engaging in embodied research, collaboration and informal pedagogy. She creates site-specific public projects that lead to experiments with materials in her studio. As the core of her work, Schmidt explores the multiplicity of human relations with the natural world. During her residency with the Belkin’s Outdoor Art Program, Schmidt has utilized spaces between campus buildings through a process of collective knowledge production. These artistic and ecological interventions foster relationships with plants in a manner that is both distinct from the formal, university landscape design as well as from standard notions of gallery space. Schmidt has been involved in exhibitions, projects and residencies at the Belkin Outdoor Art Program; the Burrard Arts Foundation, Vancouver; AKA Gallery, Saskatoon; Charles H. Scott Gallery, Vancouver; the Santa Fe Art Institute; Burnaby Art Gallery; and Other Sights for Artists’ Projects, Vancouver.
Fireweed Fields transforms a UBC lawn site into a fireweed meadow, encouraging increased biodiversity through gradual succession as a metaphor for the resurgence of life after a crisis. This installation acknowledges the global climate emergency: by tearing through the fabric of maintained lawns and colonial ideals, it plants the initial seeds for change and catalyzes dialogue, creative experimentation, and new biodiversity research and learning opportunities.
[more]Vegetal Encounters is Holly Schmidt’s three-year residency with the Outdoor Art Program at UBC. Through this residency, Schmidt has been creatively engaging with plant life as a significant source of life, connection and learning.
[more]The 2022 Fireweed Fields Summer Intensive was less about searching for lost time and more about grappling with the time we do have and the conditions we share. As it does in Proust’s famous passage, scent-memory wove an important thread through the words exchanged over the course of these two days.
[more]In this edition of the Outdoor Art newsletter, we consider the ways in which artists’ practices are grappling with the politics of public space from both a local and global perspective. Through connections between two public art projects currently underway on the UBC campus with those being featured in the Belkin’s upcoming exhibition The Willful Plot, we can trace how the artworks forefront life cycles and the range of conditions that sustain or disrupt them. These artists explore in the broadest sense their relationship to the land.
[more]At the Belkin, we often receive questions about the University’s Outdoor Art Collection and what is involved with commissioning, acquiring or accepting donations. Responding to this growing interest, we issue annual outdoor art newsletters to share updates and backstory information about what is involved with curating, stewarding and activating the collection. These newsletters also offer a forum for the Belkin’s curatorial team to share their research and insights about art in public space.
[more]As part of Holly Schmidt’s three-year residency at UBC, the artist presents Forecast (2019-23), the latest in a series of short poetic texts using the language of weather reporting to speculate on collective responses to environmental changes.
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