Diamond Point is a contemporary Coast Salish artist and a member of the Musqueam Indian Band. Point grew up on Reserve, and currently resides in Ladner with her daughter and husband. As an emerging artist, Point feels her artwork is current and belongs within the present, and she continues to develop and change her techniques and style throughout her experiences. In her work, Point respectfully incorporates traditional Coast Salish design elements to represent the beautiful teachings and history that her ancestors have passed down through generations since time immemorial.
In 2014, Point work was included in Claiming Space: Voices of Urban Indigenous Youth at the UBC Museum of Anthropology. In 2018, Diamond created designs for the UBC Totem Park residences that were named after the traditional Musqueam village sites c̓əsnaʔəm, həm̓ləsəm̓ and q̓ələχən. In 2019, Point’s artwork became the logo for the Humanities, Arts, Science, Technology Alliance and Collaboratory (HASTAC) conference at UBC, on the traditional, ancestral and unceded territory of the Musqueam people. Point’s work was also showcased at the Richmond Brighouse Canada Line Station, as part of the 2019 Capture Photography Festival.
Point currently studies at UBC in the NITEP Indigenous Teacher Education Program in the Faculty of Education. Point aims to work as a secondary social studies and art teacher, and feels fortunate to have had the opportunities to express her Indigenous identity and culture within many realms.
As part of Kids Take Over UBC 2021, join artist Diamond Point (xʷməθkʷəy̓əm / Musqueam) for an outdoor walking tour of her artwork, wəɬ m̓i ct q̓pəθət tə ɬniməɬ, a set of banners along Main Mall that run from James Hart’s Reconciliation Pole to the plaza near the Rose Garden on UBC campus. The banners were installed in the Fall of 2020 as a temporary artwork as part of Soundings: An Exhibition in Five Parts. In keeping with the teachings of Point’s ancestors, the banners refer to protocols of arriving and asking permission to come ashore, while the Coast Salish design elements on the paddles announce who the arrivers are and where they have come from. Learn about the process of creating the design and colour in your own version of the banner – download a black and white version of the banner here.
You can watch a recording of the tour below or take the tour on your own while the banners are up.
Diamond Point is a contemporary Coast Salish artist and a member of the Musqueam Indian Band. Point grew up on Reserve, and currently resides in Ladner with her daughter and husband. As an emerging artist, Point feels her artwork is current and belongs within the present, and she continues to develop and change her techniques and style throughout her experiences. In her work, Point respectfully incorporates traditional Coast Salish design elements to represent the beautiful teachings and history that her ancestors have passed down through generations since time immemorial.
In 2014, Point work was included in Claiming Space: Voices of Urban Indigenous Youth at the UBC Museum of Anthropology. In 2018, Diamond created designs for the UBC Totem Park residences that were named after the traditional Musqueam village sites c̓əsnaʔəm, həm̓ləsəm̓ and q̓ələχən. In 2019, Point’s artwork became the logo for the Humanities, Arts, Science, Technology Alliance and Collaboratory (HASTAC) conference at UBC, on the traditional, ancestral and unceded territory of the Musqueam people. Point’s work was also showcased at the Richmond Brighouse Canada Line Station, as part of the 2019 Capture Photography Festival.
Point currently studies at UBC in the NITEP Indigenous Teacher Education Program in the Faculty of Education. Point aims to work as a secondary social studies and art teacher, and feels fortunate to have had the opportunities to express her Indigenous identity and culture within many realms.
Forming two continuous lines on this part of the traditional, ancestral and unceded territory of the xʷməθkʷəy̓əm (Musqueam) people, wəɬ m̓i ct q̓pəθət tə ɬniməɬ by Diamond Point presents two images repeating in a sequence hung on the lampposts along UBC’s Main Mall from James Hart’s Reconciliation Pole to the plaza just beyond the Belkin.
[more]Soundings: An Exhibition in Five Parts features newly commissioned scores, performances, videos, sculptures and sound by Indigenous and other artists who respond to the question, How can a score be a call and tool for decolonization? Unfolding in a sequence of five parts, the scores take the form of beadwork, videos, objects, graphic notation, historical belongings and written instructions. During the exhibition, these scores are activated at specific moments by musicians, dancers, performers and members of the public, gradually filling the gallery and surrounding public spaces with sound and action. Curated by Candice Hopkins and Dylan Robinson, Soundings is cumulative, limning an ever-changing community of artworks, shared experience and engagement. Shifting and evolving, it gains new artists and players in each location. For this iteration on Musqueam territory, the Belkin has collaborated with UBC's Musqueam Language Program in partnership with the Musqueam Indian Band Language and Culture Department; School of Music; Chan Centre for Performing Arts; First Nations House of Learning and Museum of Anthropology to support the production of new artworks and performances by local artists.
[more]Kids Take Over UBC: When First There Was Light in the World - The Story of Two Wolves with Jaymyn La Vallee and Marianne Nicolson
The Dzawada̱’enux̱w people have lived on the lands and water ways of Kingcome Inlet since the beginning, long before settlers came to British Columbia, and their origin story describes how two wolves, Ḵawadiikala and Ḵwalili came to the area and how the clans descended from them. Join Jaymyn La Vallee and Marianne Nicolson as they talk about and teach you how to draw the figure of the wolf in the Belkin Gallery's current exhibition, Hexsa'am: To Be Here Always.
[more]Kids Takeover UBC 2020. Mini Walking Tours - Have you ever sat in a giant camera or seen a huge shadow of an invisible old-growth tree? In conjunction with this year's Kids Take Over UBC, walk with us and see how artists have made trees look big and small.
[more]Due to the uncertainty caused by the COVID-19 pandemic, we are postponing the Image Bank exhibition until June 2021. Our January exhibition will draw on recent acquisitions to the permanent collection. Titled Stations: Some Recent Acquisitions, the exhibition will be in four or five interrelated modules that explore some of the gallery’s research areas.
[more]Celebrate Family Day this year with a take-home art activity inspired by drawing techniques used by artist Laiwan in our current exhibition Laiwan: Traces, Erasures, Resists. Interested in learning more in person? Visit the Belkin for a short, kid-friendly tour that highlights two of the artist's works.
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