The following is a list of resources related to the artists in Stations: Some Recent Acquisitions. This list is not exhaustive or an official recommendation, but rather comprised of suggested readings compiled by Public Programs, graduate and undergraduate student researchers at the Belkin. These readings are intended to provide additional context for the exhibition and act as springboards for further research or questions stemming from the exhibition, artists and works involved.
Resources are arranged by artist, listed alphabetically by last name. This compilation is an evolving and growing list, so check back in the future for more additions.
Joan Balzar
The following are additional information and writings about Joan Balzar.
The following are additional information and writings about Joan Balzar.
Suggested Further Reading
Jeffries, Bill. Joan Balzar: Vancouver Orbital. Vancouver: Simon Fraser University Gallery, 2011.
Weder, Adele. “Joan Balzar: Abstract painter stood out in ’60s West Coast art scene,” The Globe and Mail, February 11, 2016.
Pat Martin Bates
The following are additional information and writings about Pat Martin Bates.
The following are additional information and writings about Pat Martin Bates.
Suggested Further Reading
Bates, Pat Martin. It is I, Patricia: An Artist’s Childhood. North Saanich: Hedgerow Press, 2010.
Bovey, Patricia. Pat Martin Bates: Balancing on a Thread. Calgary: Frontenac House, 2013.
Ingrid Baxter
The following are additional information and writings about Ingrid Baxter.
The following are additional information and writings about Ingrid Baxter.
Suggested Further Reading
Gimpel, René. “Art as Commodity, Art as Economic Power” in Third Text, 14:51, (2000), pp 51-55.
N.E. Thing Co. ed. Charity Mewburn. Sixteen Hundred Miles North of Denver. Vancouver: Morris and Helen Belkin Art Gallery, 1999.
Rebecca Belmore
The following are additional information and writings about Rebecca Belmore.
The following are additional information and writings about Rebecca Belmore.
Kati Campbell
The following are additional information and writings about Kati Campbell.
The following are additional information and writings about Kati Campbell.
Suggested Further Reading
Campbell, Kati and Glenbow Museum. The Embodied Viewer. Glenbow: Vera Lemecha, 1991.
Front Gallery, Vancouver and Ann Hurtig. Kati Campbell: Symptom. Vancouver: Front Gallery, 1992.
Madill, Shirley and Winnipeg Art Gallery. Private/public: Art and Social Discourse. Winnipeg: Winnipeg Art Gallery, 1993.
Audrey Capel Doray
The following are additional information and writings about Audrey Capel Doray.
The following are additional information and writings about Audrey Capel Doray.
Suggested Further Reading
Gilbert, Gerry, D’Arcy Henderson, Tony Hunt, Reginald Holmes, Richard Hambleton, Kirk Tougas, Paul Goranson, et al. Vancouver, Art and Artists, 1931-1983. Vancouver: Vancouver Art Gallery, 1983.
Bruce Conner
The following are additional information and writings about Bruce Conner.
The following are additional information and writings about Bruce Conner.
Suggested Further Reading
Hatch, Kevin. “”THINKING OF YOU” Bruce Conner’s Epistolary Practice,” American Art 33, no. 1 (03/01/2019): 53-73.
Noonan, Jennifer. “Bruce Conner: What’s in a Name?” Print Quarterly 31, no. 1 (2014): 45-61.
Beau Dick
The following are additional information and writings about Beau Dick.
The following are additional information and writings about Beau Dick.
Suggested Further Reading
Hopkins, Candice. “To See and Then to Burn,” in Beau Dick: Devoured by Consumerism (Vancouver; Berkeley; London: Figure.1, 2019).
Thom, Ian M. “Beau Dick,” in Challenging Traditions: Contemporary First Nations Art of the Northwest Coast (Vancouver: Douglas & McIntyre, 2009), 33-36.
Hannah Dubois
The following are additional information and writings about Hannah Dubois.
The following are additional information and writings about Hannah Dubois.
Suggested Further Reading
Robert Duncan
The following are additional information and writings about Robert Duncan.
The following are additional information and writings about Robert Duncan.
Suggested Further Reading
Martin, Catherine. “The Gift of the Poem: Mallarmé and Robert Duncan’s ‘Ground Work: Before the War’.” in The Modern Language Review 103, no. 2 (April 2008): 364-82. Accessed January 23, 2021. doi:10.2307/20467778.
Sam Durant
The following are additional information and writings about Sam Durant.
The following are additional information and writings about Sam Durant.
Suggested Further Reading
Durant, Sam and Shanna Ketchum-Heap of Birds. Sam Durant: Scenes from the Pilgrim Story: Myths, Massacres, and Monuments. Boston: Massachusetts College of Art, 2007.
Durant, Sam, ed, Danny Glover, Sonia Sanchez and Bobby Seale. Black Panther: The Revolutionary Art of Emory Douglas. New York: Rizzoli, 2007.
Joselit, David. “Sam Durant: Museum of Contemporary Art, Los Angeles,” Artforum International vol 41, issue 5 (2003): 131+.
Tom Field
The following are additional information and writings about Tom Field.
The following are additional information and writings about Tom Field.
Suggested Further Reading
Katz, Vincent. Black Mountain College: Experiment in Art. Cambridge: MIT Press, 2002.
https://webcat.library.ubc.ca/vwebv/holdingsInfo?bibId=5036986.
Wagstaff, Christopher. Tom Field: on painting at Black Mountain and in San Francisco. Berkeley: Rose Books, 2006.
Helen Goodwin
The following are additional information and writings about Helen Goodwin.
The following are additional information and writings about Helen Goodwin.
Suggested Further Reading
Nichols, Miriam. “Vancouver in the Sixties: Context as Explanation,” in A Literary Biography of Robin Blaser, 133-163 (Cham: Springer International Publishing, 2019).
Pepper, Kaija. “Helen Goodwin & Intermedia: Toward Live Art in Vancouver,” Dance Collection Danse, Issue 69 (Spring 2010): 20-23.
Fran Herndon
The following are additional information and writings about Fran Herndon.
The following are additional information and writings about Fran Herndon.
Suggested Further Reading
Herndon, Fran. “The Heads of the Town Up to the Aether Jack Spicer.” Boundary 2 6, no. 1 (1977): 135-144.
Herndon, Fran, Killian, Kevin, Plested, Lee, and Altman Siegel. Fran Herndon. San Francisco, CA: Altman Siegel, 2011.
David Horvitz
The following are additional information and writings about David Horvitz.
The following are additional information and writings about David Horvitz.
Suggested Further Reading
Dorothy Iannone
The following are additional information and writings about Dorothy Iannone.
The following are additional information and writings about Dorothy Iannone.
Suggested Further Reading
Jacobsen, Carol. “Redefining Censorship: A Feminist View,” Art Journal (New York. 1960) 50, no. 4 (1991): 42-55.
Storr, Robert, Goridis and Parker. “Lovesickness : The Correspondence between Dieter Roth & Dorothy Iannone = Liebeskummer : Der Briefwechsel Zwischen Dieter Roth Und Dorothy Iannone,” Parkett no. 65 (2002): 136. doi:10.5169/seals-680491.
Carole Itter
The following are additional information and writings about Carole Itter.
The following are additional information and writings about Carole Itter.
Suggested Further Reading
Lederman, Marsha. “Vancouver Artists Fight to Protect a Colourful Piece of the City’s Art History,” The Globe and Mail, January 20, 2015.
Marlatt, Daphne, Carole Itter and Association of Book Publishers of British Columbia. Opening Doors in Vancouver’s East End: Strathcona (Madeira Park, BC: Harbour Publishing, 2011).
Jess
The following are additional information and writings about Jess.
The following are additional information and writings about Jess.
Suggested Further Reading
Dowell, Tara. The Householders: Robert Duncan and Jess (Cambridge, MA: MIT Press, 2019).
Higgins, Scarlett. “A Private Public Sphere: Robert Duncan and Jess’s Cold War Household,” Arizona Quarterly: A Journal of American Literature, Culture, and Theory 70, no. 4 (2014): 109-142. doi:10.1353/arq.2014.0030.
Lyn Brockway, Harry Jacobus and Jess: The Romantic Paintings (Palo Alto: Palo Alto Cultural Center, 1990).
McDowell, Tara Cooke. “House Work: Domesticity, Belonging, and Salvage in the Art of Jess, 1955–1991.” University of California, Berkeley, 2013
Laiwan
The following are additional information and writings about Laiwan.
The following are additional information and writings about Laiwan.
Suggested Further Reading
Laiwan. Tender (Vancouver: Talonbooks, 2020).
Rita Letendre
The following are additional information and writings about Rita Letendre.
The following are additional information and writings about Rita Letendre.
Suggested Further Reading
Lambton, Gunda. “Rita Letendre: Vibrations Colorées.” In Stealing the Show: Seven Women Artists in Canadian Public Art, 50-64. Montreal: Queen’s University Press, 1994.
Lauder, Adam. “The World Must Have Poetry.” Canadian Art 32, no. 4 (Winter 2016): 114-19.
Nanibush, Wanda, and Georgiana Uhlyarik. Rita Letendre: Fire & Light. Toronto: Art Gallery of Ontario, 2017
Liz Magor
The following are additional information and writings about Liz Magor.
The following are additional information and writings about Liz Magor.
Suggested Further Reading
Klein, Benjamin. “Liz Magor,” Border Crossings 35, no. 4 (2016): 102-103.
Monk, Philip. Playing Dead: Liz Magor (Toronto and Vancouver: The Power Plant and Vancouver Art Gallery, 2002). URL.
Sam Perry
The following are additional information and writings about Sam Perry.
The following are additional information and writings about Sam Perry.
Suggested Further Reading
Goodman, John. “Dreamers EXPOSED: Al Neil Trio: New CD Retrospective Captures Jazz Innovators in their Prime,” North Shore News, June 7, 2002.
Tippett, Maria. “Vancouver Anthology,” BC Studies no. 183 (Autumn 2014): 170-171.
Stations draws on recent acquisitions to the permanent collection and is organized into interrelated modules that explore some of the Belkin’s research areas. While the physical gallery remains open to the public, COVID-19 has pushed us to rethink our exhibitions. With the increased turn to our website, we are including here a selection of films that are also being screened in the gallery space.
[more]Stations: Some Recent Acquisitions explores some of the Belkin’s research areas through a selection of new works in the permanent collection. Director and curator Scott Watson walks through the exhibition and offers insight into some of the key works and themes.
[more]Due to the uncertainty caused by the COVID-19 pandemic, we are postponing the Image Bank exhibition until June 2021. Our January exhibition will draw on recent acquisitions to the permanent collection. Titled Stations: Some Recent Acquisitions, the exhibition will be in four or five interrelated modules that explore some of the gallery’s research areas.
[more]Rhoda Rosenfeld's work from the series Maps of the World (1977) is included in Stations: Some Recent Acquisitions.
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