• Beau Dick

    Artist

    Beau Dick (November 23, 1955 – March 27, 2017) was acclaimed as one of the Northwest Coast’s most versatile and talented carvers. Reaching out beyond the confines of his own Kwakwaka’wakw culture, Dick explored new formats and techniques in his work, including painting and drawing. His work can be found in private collections as well as museums, including the Canadian Museum of Civilization (Gatineau, QC), the Heard Museum (Phoenix, AZ), the Burke Museum (Seattle, WA), the UBC Museum of Anthropology and the Vancouver Art Gallery. Dick’s work has been exhibited most recently in Witnesses: Art and Canada’s Indian Residential Schools (2013) at the Belkin Art Gallery, Sakahan: International Indigenous Art (2013) at the National Gallery of Canada, 75 Years of Collecting: First Nations: Myths and Realities (2006) at the Vancouver Art Gallery and Supernatural with Neil Campbell (2004) at the Contemporary Art Gallery (Vancouver). In 2012, Dick received the Jack and Doris Shadbolt Foundation’s VIVA Award for Visual Arts.

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  • Lorna Brown, Curator

    Curator

    Lorna Brown is Acting Director/Curator at the Morris and Helen Belkin Art Gallery and a visual artist, writer, educator and editor. She has exhibited her work internationally since 1984. Brown was the Director/Curator of Artspeak Gallery from 1999 to 2004 and is a founding member of Other Sights for Artists’ Projects, a collective of artists, architects and curators presenting projects that consider the varying conditions of public places and public life. She has taught at Emily Carr University of Art and Design and Simon Fraser University. Her recent curatorial projects include Digital Natives and Institutions by Artists. Brown received an honorary doctorate of letters from Emily Carr University of Art and Design in 2015, the Vancouver Institute for the Visual Arts Award (1996) and the Canada Council Paris Studio Award (2000). Her work is in the collections of the Belkin, the National Gallery of Canada, the BC Arts Council, the Surrey Art Gallery and the Canada Council Art Bank.

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  • Scott Watson, Curator

    Curator

    Scott Watson (Canadian, b. 1950) is Director of the Morris and Helen Belkin Art Gallery and Professor in the Department of Art History, Visual Art and Theory at the University of British Columbia. A curator whose career has spanned more than thirty-five years, Watson is internationally recognized for his research and work in curatorial and exhibition studies, contemporary art and issues, and art theory and criticism. His distinctions include the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art (2010); the Alvin Balkind Award for Creative Curatorship in BC Arts (2008) and the UBC Dorothy Somerset Award for Performance Development in the Visual and Performing Arts (2005). Watson has published extensively in the areas of contemporary Canadian and international art. His 1990 monograph on Jack Shadbolt earned the Hubert Evans Non-Fiction Prize in 1991. Recent publications include Letters: Michael Morris and Concrete Poetry (2015); Thrown: British Columbia’s Apprentices of Bernard Leach and their Contemporaries (2011), a finalist for the 2012 Roderick Haig-Brown Regional Prize; “Race, Wilderness, Territory and the Origins of the Modern Canadian Landscape” and “Disfigured Nature” (in Beyond Wilderness, McGill University Press, 2007); and “Transmission Difficulties: Vancouver Painting in the 1960s” (in Paint, Vancouver Art Gallery, 2006).

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