Join leading UBC scholars, artists, curators and critics in a series of midday conversations. We invite two prominent, disciplinarily distinct voices into the Gallery to discuss productive intersections of their own work and the current exhibition, followed by a discussion that includes the audience. In this series, guests will address Lalakenis/All Directions: A Journey of Truth and Unity, an exhibition that remembers Kwakwaka’wakw carver Beau Dick’s 2014 journey from UBC to Ottawa, which culminated in a ceremonial copper-breaking on the steps of Parliament Hill.
Everyone is welcome and admission is free.
Thursday, February 11, 1-2 pm
Johnny Mack (Peter A. Allard School of Law and First Nations and Indigenous Studies Program) and Dory Nason (Department of English and First Nations and Indigenous Studies Program)
Photo: Geoffrey McNamara, SMACK Photography
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On July 2, 2014, renowned Kwakwa̱ka̱’wakw artist Chief Beau Dick along with 21 companions set out from the University of British Columbia on a journey to Ottawa which they called Awalaskenis II: Journey of Truth and Unity. Intending to raise awareness about the plight of the environment and to challenge elected officials to attend to the relationship between the federal government and First Nations people, the group brought with them many objects including a copper shield known as Taaw made by Giindajin Haawasti Guujaaw, the Haida carver and former president of the Haida Nation. Guujaaw had encouraged Dick to make this journey, having been inspired by the 2013 Awalaskenis I journey from Quatsino on the northern tip of Vancouver Island to Victoria.
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Edited by Scott Watson and Lorna Brown, this richly illustrated hardcover book includes essays by Beau Dick, Chief Robert Joseph, Guujaaw, Gyauustees, Linnea Dick, Wanda Nanibush, Charlotte Townsend-Gault, Tarah Hogue and Shelly Rosenblum. The catalogue offers visual documentation of the belongings that were gathered together and displayed in the Gallery during the Lalakenis exhibition, along with images from the two journeys that culminated in copper-breaking ceremonies: Awalaskenis I (February 2013) beginning in Quatsino and ending in Victoria, BC and Awalaskenis II (July 2014) which saw Beau Dick and 21 companions setting out from UBC for Ottawa. The copper-breaking ceremonies marked ruptured relationships in need of repair, and passed the burden of wrongs done to First Nations people from them to the Governments of BC and Canada, reviving a shaming rite that once was central to a complex economic system and symbol of justice, a traditional practice that had all but disappeared. This publication reprints content from the exhibition guide in which Beau Dick comments on the significance and role of coppers and the motivating factors for the journeys; Guujaaw speaks of the Taaw copper he made to be broken in Ottawa; Linnea Dick reflects on instigating, along with her sister Geraldine, the earlier journey from Quatsino to Victoria; and Gyauustees speaks about the ceremonies he conducts as a pipe carrier. Added to these texts are new essays by Wanda Nanibush, Charlotte Townsend-Gault, Tarah Hogue and Shelly Rosenblum.
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Join UBC Artist in Residence and Kwakwaka'wakw Hereditary Chief Beau Dick, community members, elders and activists on select Thursday afternoons at the Gallery, where they will share their knowledge, experiences and discuss the themes of the exhibition Lalakenis/All Directions: A Journey of Truth and Unity.
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