Jaymym La Vallee is of Sḵwx̱wú7mesh, Kwikwasut’inuxw and ‘Namgis descent and grew up in North Vancouver, BC on the Capilano Reservation. She is currently learning her Indigenous language, Kwakwala, and is completing her Bachelor of Education through the Indigenous Teacher Education Program (NITEP) at the University of British Columbia. Her interests include working with Indigenous children and young adults, teaching language and culture. She is passionate about food sovereignty and hopes to incorporate land-based learning values into her philosophy of teaching.
Marianne Nicolson’s (‘Tayagila’ogwa) (Scottish, Dzawada̱’enux̱w) training encompasses both traditional Kwakwa̱ka̱’wakw forms and culture and Western European based art practice. She holds a BFA from Emily Carr University of Art and Design (1996), an MFA (1999), an MA in Linguistics and Anthropology (2005) and a PhD in Linguistics, Anthropology and Art History (2013) from the University of Victoria. Her practice engages with issues of Aboriginal histories and politics arising from a passionate involvement in cultural revitalization and sustainability.
Nicolson works as a cultural researcher and historian for the Kwakwaka’wakw as well as an advocate for Indigenous land rights. Her practice encompasses photography, painting, carving, video, installation, monumental public art, writing and speaking. All her work is political in nature and seeks to uphold Kwakwaka’wakw traditional philosophy and worldview through contemporary mediums and technology. Exhibitions include the 17th Biennale of Sydney, Australia; The Vancouver Art Gallery; The National Museum of the American Indian in New York; Nuit Blanche in Toronto, Ontario; and many others. Major monumental public artworks are situated in Vancouver International Airport; the Canadian Embassy in Amman, Jordan; and the Canadian Embassy in Paris, France.
The Dzawada̱’enux̱w people have lived on the lands and water ways of Kingcome Inlet since the beginning, long before settlers came to British Columbia, and their origin story describes how two wolves, Ḵawadiikala and Ḵwalili came to the area and how the clans descended from them.
In conjunction with this year’s Kids Take Over UBC – Family Day weekend events, join language researcher and educator Jaymyn La Vallee and artist Marianne Nicolson as they talk about and teach you how to draw the figure of the wolf in the Belkin Gallery’s current exhibition, Hexsa’am: To Be Here Always.
Find more information about Kids Take Over UBC and purchase your all-access family pass here.
There are 2 sessions for kids under 12. Kids should be accompanied by an adult.
1:00-1:40 pm
2:00-2:40 pm
Space is limited and is on a first-come basis. Sign up in person on Sunday, February 17 at the Gallery’s Front Desk starting at 12:00 pm.
For more information: contact Naomi Sawada naomi.sawada@ubc.ca or tel. 604-822-3640. On weekends, contact the Front Desk from 12:00-4:50 pm, tel. 604-822-4883.
Jaymyn La Vallee (seated) and Marianne Nicolson (standing), telling the story “When First There Was Light in the World — The Story of the Two Wolves.”
UBC Family Day event, Morris and Helen Belkin Art Gallery, February 17, 2018.
Photo: Jessica Fletcher.
Photo: Jessica Fletcher.
Jaymym La Vallee is of Sḵwx̱wú7mesh, Kwikwasut’inuxw and ‘Namgis descent and grew up in North Vancouver, BC on the Capilano Reservation. She is currently learning her Indigenous language, Kwakwala, and is completing her Bachelor of Education through the Indigenous Teacher Education Program (NITEP) at the University of British Columbia. Her interests include working with Indigenous children and young adults, teaching language and culture. She is passionate about food sovereignty and hopes to incorporate land-based learning values into her philosophy of teaching.
Marianne Nicolson’s (‘Tayagila’ogwa) (Scottish, Dzawada̱’enux̱w) training encompasses both traditional Kwakwa̱ka̱’wakw forms and culture and Western European based art practice. She holds a BFA from Emily Carr University of Art and Design (1996), an MFA (1999), an MA in Linguistics and Anthropology (2005) and a PhD in Linguistics, Anthropology and Art History (2013) from the University of Victoria. Her practice engages with issues of Aboriginal histories and politics arising from a passionate involvement in cultural revitalization and sustainability.
Nicolson works as a cultural researcher and historian for the Kwakwaka’wakw as well as an advocate for Indigenous land rights. Her practice encompasses photography, painting, carving, video, installation, monumental public art, writing and speaking. All her work is political in nature and seeks to uphold Kwakwaka’wakw traditional philosophy and worldview through contemporary mediums and technology. Exhibitions include the 17th Biennale of Sydney, Australia; The Vancouver Art Gallery; The National Museum of the American Indian in New York; Nuit Blanche in Toronto, Ontario; and many others. Major monumental public artworks are situated in Vancouver International Airport; the Canadian Embassy in Amman, Jordan; and the Canadian Embassy in Paris, France.
In conjunction with the exhibition, Hexsa'am: To Be Here Always (January 11 to April 7, 2019) and Kids Take Over - Family Day weekend events at UBC.
Working together at Kingcome Inlet in Summer 2018, a group of artists used film, video, social media, weaving, animation, drawing, language and song to address the urgent threats to the land and water. A manifestation of the relationships formed between the participants over this past year, Hexsa’a̱m: To Be Here Always is based on sharing knowledge and respectful collaboration. Simultaneously research, material, media, testimony and ceremony, the exhibit challenges the western concept that the power of art and culture are limited to the symbolic or metaphoric, and that the practices of First Peoples are simply part of a past heritage. As Marianne Nicolson states, “We must not seek to erase the influence of globalizing Western culture, but master its forces selectively, as part of a wider Canadian and global community, for the health of the land and the cultures it supports. The embodied practice of ceremonial knowledge relates to artistic experience – not in the aesthetic sense, but in the performative: through gestures that consolidate and enhance knowledge for positive change.” Hexsa’a̱m: To Be Here Always positions the gallery as an active location for this performance, drawing together many faculties and disciplines of the university in generative exchange.
[more]Tours and discussions can be arranged from Tuesday to Friday for groups and classes, lasting 50 minutes and longer. For details and information, email naomi.sawada@ubc.ca or call 604-822-3640. Drop-in tours are available on Saturday and Sunday between 12:30 and 4 pm. Drop-in tours are casual and conversational, lasting about 15-30 minutes. These can be arranged the day-of at the Reception Desk or ahead of time by calling 604-822-4883.
Once again, we are pleased to welcome the UBC Contemporary Players to the Belkin Art Gallery for a concert inspired by the exhibition Hexsa’a̱m: To Be Here Always. Led by Director Paolo Bortolussi, this graduate and undergraduate student ensemble from the UBC School of Music will animate the Gallery for an afternoon program celebrating themes from the exhibition. The program will feature an original composition by Leslie Opatril who worked closely with artists Marianne Nicolson and Althea Thauberger. Opatril is a Master's student at the UBC School of Music working under the supervision of Dorothy Chang.
Admission is free. [more]