Justine A. Chambers is an artist and educator living and working on the unceded Coast Salish territories of the Squamish, Musqueam and Tsleil-Waututh Nations. Her movement-based practice considers how choreography can be an empathic practice rooted in collaborative creation, close observation, and the body as a site of a cumulative embodied archive. Privileging what is felt over what is seen, she works with dances “that are already there”–the social choreographies present in the everyday. Her choreographic projects have been presented at Libby Leshgold Gallery (Vancouver), Culture Days (Toronto), Contemporary Art Gallery (Vancouver), Helen and Morris Belkin Gallery  (Vancouver), Sophiensaele (Berlin), Nanaimo Art Gallery, Artspeak (Vancouver), Hong Kong Arts Festival, Art Museum at the University of Toronto, Cantor Fitzgerald Gallery at Haverford College (Haverford, PA), Agora de la Danse (Montréal), Festival of New Dance (St. John’s), Mile Zero Dance Society (Edmonton), Dancing on the Edge (Vancouver), Canada Dance Festival (Ottawa), Dance in Vancouver, The Western Front, and the Vancouver Art Gallery. She is Max Tyler-Hite’s mother.

Josephine Lee is a first-generation immigrant whose work is largely informed by a lifetime of movement across Canada and the United States. Lee’s interdisciplinary practice explores the psychic violence of cultural assimilation and nationalism. Her performances, installations, and sculptures shift between an intersectional analysis of this violence at the scale of a nation (where nuclear tests, land-seizures, and xenophobia exacerbate one another) and of the home (where the burdens of identity and generational trauma can be foundational and inescapable). Lee holds graduate and undergraduate degrees in science and fine arts. She has exhibited throughout Canada and the United States, as well as performed at documenta 14 in Kassel, Germany. Recently, Lee was awarded the Oscar Kolin Fellowship, the Vera G. List Sculpture Award, and a Gail and Stephen A. Jarislowsky Outstanding Artist Award at the BANFF Centre for Arts and Creativity. Lee currently resides within the stolen territory of the Coast Salish Peoples, including the territories of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations.

Khan Lee was born in Seoul, Korea. He studied architecture at Hong-Ik University, before immigrating to Canada to study fine art at Emily Carr Institute of Art and Design. He works in performance, media, sculpture and drawing. His practice involves experimentation with form and process in order to express inherent relationships between material and immaterial content. He is a founding member of the Vancouver-based artist collective ‘Intermission’ and is presently a member of ‘Instant Coffee’ artist collective. His work has been exhibited nationally, and internationally. Lee lives and works in Vancouver, BC.

Kelly Lycan is a photo-based installation artist who resides in Vancouver, BC, Canada on the  traditional and unceded territories of the Sḵwx̱wú7mesh (Squamish), səl’ilwətaɁɬ (Tsleil Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations. Lycan’s work investigates the way objects  and images are placed and displayed in the world and the cycle of value they experience.  She employs photography and sculpture in order to engage them beyond medium  specificity. Lycan received a Bachelor of Fine Arts from Nova Scotia College of Art and  Design and a Master of Fine Arts from the University of California, Santa Barbara, and Los  Angeles. Her work has been exhibited across Canada, the US, Europe, and the Middle East,  including solo exhibitions at Ag Galerie, Tehran, Iran (2018); Burrard Art Foundation,  Vancouver (2016); Susan Hobbs Gallery, Toronto (2015-16); Presentation House Gallery,  North Vancouver (2014); SFU Gallery, Burnaby (2014); Or Gallery, Vancouver (2011); and  Gallery TPW, Toronto (2009). Lycan also collaborated from 2005-2015 with the artist  collective Instant Coffee, a service-oriented artist collective that have exhibited widely.