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Laiwan: Traces, Erasures, Resists

2024 / ISBN 978-0-88865-494-6
206 pages, colour, paperback

$40
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Exhibition catalogue from Laiwan: Traces, Erasures, Resists at the Belkin (7 January-10 April 2022) curated and edited by Amy Kazymerchyk with essays and interviews by Laiwan, Olivia Michiko Gagnon, Amy Kazymerchyk, Missla Libsekal, Liz Park, Anne Riley, Scott Watson and Rita Wong. The publication presents works by the artist largely from the period between 1980 and 2000 alongside an archive of literary, poetic and journalistic work. Laiwan’s practice questions constructions of self and how those readings sit in relation to languages, taxonomies, images, histories and institutions. Her work unsettles dominant beliefs and structures by holding space for more than one possible meaning, where fixity is not possible. In her roles as artist, writer, educator and activist, Laiwan’s commitment to the necessity of ambiguity has contributed in important ways to Vancouver’s cultural ecology since the early 1980s. Designed by Victoria Lum, this publication offers a platform to contextualize Laiwan’s practice, tracing some of the social, political and personal events that have informed the artist, from her emigration from what was then apartheid Rhodesia to Canada, to her engagement with feminist, queer and race politics in Vancouver, and to her role in artist-run culture and literary, poetic, theoretical, media art and pedagogical discourses.

  • Laiwan

    Artist
    LAIWAN (b. 1961) is a cultural activist, interdisciplinary artist, writer and educator with a wide-ranging practice based in poetics and philosophy. Born in Zimbabwe of Chinese parents, her family immigrated to Canada in 1977 to leave the war in Rhodesia. In 1983, she graduated from Emily Carr College of Art and Design and founded the Or Gallery. She received an MFA from Simon Fraser University School for Contemporary Arts in 1999. Recipient of numerous awards, including the recent ECU Emily Award (2021), BC Arts Council (2021), Canada Council for the Arts (2020) and the Vancouver Queer Media Artist Award (2008), Laiwan serves on national and provincial arts juries and local community committees, including the Chinatown Legacy Stewardship Group and the City of Vancouver Public Art Committee. She exhibits regularly; curates projects in Canada, the US and Zimbabwe; and publishes in anthologies and journals. Her latest collection of poetry TENDER: selected poems (2020) is published by Talonbooks. Leading up to her project Distance of Distinct Vision (1992) and since then, Laiwan has been investigating colonialism toward a decoloniality. From 2000, she has engaged embodiment through performativity, audio, music, improvisation, with varieties of media, along with bodily and emotional intelligence, so as to unravel and engage presence. Recent public commissions have enabled her to focus on issues of urban development, touching on poetic and philosophic themes related to current questions of environment and the built cityscape of Vancouver. Based on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations, she teaches in the MFA Interdisciplinary Arts Program at Goddard College, USA (2001-present). www.laiwanette.net

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  • Amy Kazymerchyk

    Curator, Editor, Writer

    Amy Kazymerchyk is a curator from Vancouver. In 2021, she opened Pale Fire in Vancouver. She has held positions as the curator of SFU Galleries’ Audain Gallery, the events and exhibitions coordinator at VIVO Media Arts Centre, and programmer of DIM Cinema at The Cinematheque. She holds a BA in media arts from Emily Carr Institute of Art and Design and an MA in critical and curatorial studies from the University of British Columbia.

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  • Olivia Michiko Gagnon

    Writer

    Olivia Michiko Gagnon is Assistant Professor in the Department of Theatre & Film at UBC. She is currently completing her first monograph––On Closeness: Archives, Aesthetics, and Forms of Relation––which theorizes closeness as a minoritarian method that moves between the aesthetic and the social. Their writing has appeared in ASAP/Journal, Text & Performance Quarterly, Canadian Theatre Review, emisférica, Syndicate, C Magazine, and Women & Performance: a journal of feminist theory. She has also written for the Vancouver Art Gallery (with Monika Kin Gagnon), the Belkin Gallery, Gallery 44, and the New Museum, and was formerly Managing Editor of HemiPress at the Hemispheric Institute of Performance and Politics in New York City. They received their PhD from the Department of Performance Studies at NYU.

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  • Missla Libsekal

    Writer

    Missla Libsekal is an independent curator and writer whose practice centres on alteriority and knowledge transmission. Her long-term interdisciplinary research looks at historically marginalized ways of knowing, with the current chapter considering how stories of living in the land can offer better ways of being in relation to the places that we inhabit and occupy. Her recent curatorial projects include Creating Art Archives (2021), a two-day digital forum featuring scholars, publishers, artists and curators and the group exhibition Beyond what we see: Once upon a time, once upon a future at Les Abattoirs, Musée—Frac Occitanie Toulouse (2020–21). She is based in Vancouver on the unceded, ancestral territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh and Sel̓íl̓witulh Nations.

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  • Liz Park

    Writer

    Liz Park is Richard Armstrong Curator of Contemporary Art at Carnegie Museum of Art, Pittsburgh. She was most recently curator of exhibitions at the University at Buffalo Art Galleries, State University of New York, and was associate curator of the 2018 Carnegie International. Park was a Helena Rubinstein Curatorial Fellow in the Whitney Independent Study Program in 2011–12 and Whitney-Lauder Curatorial Fellow at ICA Philadelphia from 2013 to 2015. She received her MA in critical and curatorial studies from the University of British Columbia in 2007.

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  • Anne Riley

    Writer

    Anne Riley is a multidisciplinary artist living as an uninvited Slavey Dene/German guest from Fort Nelson First Nation on the unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh and Sel̓íl̓witulh Nations. Her work explores different ways of being and becoming, touch and Indigeneity. Riley received her BFA from the University of Texas at Austin in 2012 and has exhibited across the United States and Canada. From 2018 to 2020, she worked on a public art project commissioned by the City of Vancouver with her collaborator, T’uy’t’tanat Cease Wyss. Riley and Wyss’s project, A Constellation of Remediation, consisted of Indigenous remediation gardens planted throughout the city. Riley and Wyss were longlisted for the 2021 Sobey Art Award. Since this project, Riley participated in the Drift: Art and Dark Matter residency and exhibition, creating works that consider the possibilities of making and being beyond the confines of Western institutions and extractive processes.

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  • Scott Watson

    Writer

    Scott Watson (Canadian, b. 1950) is Director Emeritus and Research Fellow at the Morris and Helen Belkin Art Gallery, University of British Columbia. A curator whose career has spanned more than thirty-five years, Watson is internationally recognized for his research and work in curatorial and exhibition studies, contemporary art and issues, and art theory and criticism. His distinctions include the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art (2010); the Alvin Balkind Award for Creative Curatorship in BC Arts (2008) and the UBC Dorothy Somerset Award for Performance Development in the Visual and Performing Arts (2005). Watson has published extensively in the areas of contemporary Canadian and international art. His 1990 monograph on Jack Shadbolt earned the Hubert Evans Non-Fiction Prize in 1991. Recent publications include Letters: Michael Morris and Concrete Poetry (2015); Thrown: British Columbia’s Apprentices of Bernard Leach and their Contemporaries (2011), a finalist for the 2012 Roderick Haig-Brown Regional Prize; “Race, Wilderness, Territory and the Origins of the Modern Canadian Landscape” and “Disfigured Nature” (in Beyond Wilderness, McGill University Press, 2007); and “Transmission Difficulties: Vancouver Painting in the 1960s” (in Paint, Vancouver Art Gallery, 2006).

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  • Rita Wong

    Writer

    Rita Wong lives and works on unceded Coast Salish territories, also known as Vancouver, where she attends to questions of water justice, decolonization, and ecology. Co-editor of the anthology Downstream: Reimagining Water with Dorothy Christian, Wong has written several books of poetry: current, climate (2021), beholden (2018, with Fred Wah), undercurrent (2008, with Larissa Lai), forage (shortlisted for the 2008 Asian American Literary Award for Poetry and winner of Canada Reads Poetry, 2011) and monkeypuzzle (1998). She has received the Dorothy Livesay Poetry Prize and the Asian Canadian Writers’ Workshop Emerging Writer Award.

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Related

  • Exhibition

    7 Jan – 10 Apr 2022

    Laiwan: Traces, Erasures, Resists

    Laiwan: Traces, Erasures, Resists highlights the artist's attention to the material and symbolic vocabularies of print and lens-based media between 1980 and 2000 and features her early interventions into the logic of the book form and the ideology of historical and encyclopedic genres. Guest curated by Amy Kazymerchyk, the exhibition title references processes related to printmaking, while also speaking to the absent narratives, redacted perspectives and critical refusals that are latent in official publications.

    [more]
  • Exhibition

    7 JAN – 10 APR 2022

    Reading Room: Laiwan

    Laiwan: Traces, Erasures, Resists highlights the artist’s attention to the material and symbolic vocabularies of print and lens-based media between 1980 and 2000, and features her early interventions into the logic of the book form and the ideology of historical and encyclopedic genres. Since the early 1980s, Laiwan has made a meaningful contribution to Vancouver’s cultural ecology through her participation with numerous queer, feminist, multicultural and visual art print publications. In addition to the audio-visual works, Traces, Erasures, Resists presents Laiwan’s archive of public writing and community interventions. In addition to showing these writings and works in the gallery, the Belkin includes here a selection of the artist's writings for the duration of the exhibition.

    [more]
  • Tour

    SATURDAY 15 JAN 2022, 2-3:30 PM

    Artist and Curator Tour: Laiwan and Amy Kazymerchyk

    On January 17, Laiwan and curator Amy Kazymerchyk walked through the Belkin discussing their exhibition Laiwan: Traces, Erasures, Resists. The two touched on the latent traces, erasures and resists in the artistic and curatorial processes behind the exhibition. While the tour was to take place in front of a live audience, COVID-19 restrictions required that the conversation take place behind closed doors.

    [more]
  • News

    03 Mar 2021

    Works from the Collection: Laiwan

    Laiwan writes, "Begun in 1987 investigating the questions, What is an image? What is a photograph?, she who had scanned the flower of the world... is an ongoing project where I collect flowers from the city I am showing in, placing the petals into slide mounts."

    [more]
  • News

    06 Jan 2022

    Works from the Collection: Laiwan’s African Notes

    African Notes Parts 1 and 2 are composed of photographs that Laiwan took on a trip home to her birthplace of Zimbabwe in 1982, two years after the country’s independence.

    [more]

Morris and Helen Belkin Art Gallery

University of British Columbia

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xʷməθkʷəy̍əm | Musqueam Territory

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