Scott Watson (Canadian, b. 1950) is Director Emeritus and Research Fellow at the Morris and Helen Belkin Art Gallery, University of British Columbia. A curator whose career has spanned more than thirty-five years, Watson is internationally recognized for his research and work in curatorial and exhibition studies, contemporary art and issues, and art theory and criticism. His distinctions include the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art (2010); the Alvin Balkind Award for Creative Curatorship in BC Arts (2008) and the UBC Dorothy Somerset Award for Performance Development in the Visual and Performing Arts (2005). Watson has published extensively in the areas of contemporary Canadian and international art. His 1990 monograph on Jack Shadbolt earned the Hubert Evans Non-Fiction Prize in 1991. Recent publications include Letters: Michael Morris and Concrete Poetry (2015); Thrown: British Columbia’s Apprentices of Bernard Leach and their Contemporaries (2011), a finalist for the 2012 Roderick Haig-Brown Regional Prize; “Race, Wilderness, Territory and the Origins of the Modern Canadian Landscape” and “Disfigured Nature” (in Beyond Wilderness, McGill University Press, 2007); and “Transmission Difficulties: Vancouver Painting in the 1960s” (in Paint, Vancouver Art Gallery, 2006).
In its entirety, WE ARE SORRY was first exhibited as a public artwork in Melbourne, Australia (2009 – 2013). It was made up of artist Cathy Busby’s edited versions of the governments’ 2008 apologies to Indian Residential School Survivors in Canada and the Indigenous “Stolen Generations” in Australia, printed on vinyl and presented on the exterior of a power sub-station. The next year, by invitation of the Truth and Reconciliation Commission, Busby presented an indoor version at the Winnipeg Art Gallery (2010). WE ARE SORRY commemorated these historic apologies. Following a series of violations to the apology by the Canadian government, Busby made BUDGET CUTS, a billboard at AKA Gallery and Paved Arts in Saskatoon (2012).
WE ARE SORRY 2013 as presented in Koerner Library is a further response to the erosion of the 2008 apologies, particularly the Canadian apology to Indian Residential School Survivors. For it, Busby cut a section from the vinyl of the Canadian apology of WE ARE SORRY in Melbourne. It is presented in the Koerner Library along with pieces of the remaining artwork for the taking by visitors.
The reader is encouraged to learn more about these apologies, opposition to the subsequent budget cuts and related infringements by searching the sampling of links in the accompanying pamphlet. Also in this pamphlet is a listing of resources concerning Indian Residential Schools and the Truth and Reconciliation Commission available through UBC Libraries.
For more information on Witnesses at the Belkin Art Gallery click here.
This exhibition is a collaboration between the Morris and Helen Belkin Art Gallery and the Walter C. Koerner Library at The University of British Columbia, and is made possible with the generous support of the Audain Foundation. Art in the Library offers new perspectives on contemporary art by presenting art that questions our current perceptions about the world around us.
Cathy Busby, WE ARE SORRY, 2013.
Scott Watson (Canadian, b. 1950) is Director Emeritus and Research Fellow at the Morris and Helen Belkin Art Gallery, University of British Columbia. A curator whose career has spanned more than thirty-five years, Watson is internationally recognized for his research and work in curatorial and exhibition studies, contemporary art and issues, and art theory and criticism. His distinctions include the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art (2010); the Alvin Balkind Award for Creative Curatorship in BC Arts (2008) and the UBC Dorothy Somerset Award for Performance Development in the Visual and Performing Arts (2005). Watson has published extensively in the areas of contemporary Canadian and international art. His 1990 monograph on Jack Shadbolt earned the Hubert Evans Non-Fiction Prize in 1991. Recent publications include Letters: Michael Morris and Concrete Poetry (2015); Thrown: British Columbia’s Apprentices of Bernard Leach and their Contemporaries (2011), a finalist for the 2012 Roderick Haig-Brown Regional Prize; “Race, Wilderness, Territory and the Origins of the Modern Canadian Landscape” and “Disfigured Nature” (in Beyond Wilderness, McGill University Press, 2007); and “Transmission Difficulties: Vancouver Painting in the 1960s” (in Paint, Vancouver Art Gallery, 2006).
Witnesses: Art and Canada’s Indian Residential Schools presents artists who have produced work arising from the history of Indian Residential Schools in Canada and coincides with, but is independent from, the Truth and Reconciliation Commission of Canada National Event that will take place in Vancouver from September 18 to 21, 2013. The exhibition features artists from British Columbia and across Canada, and is cross-generational to include those who directly experienced Indian Residential Schools as well as those who are witnesses to its ongoing impact.
[more]Join us for a concert by the UBC Contemporary Players at the Belkin Art Gallery. Ensemble Directors Corey Hamm and Paolo Bortolussi present a program that celebrates the Belkin Art Gallery's current exhibition Witnesses: Art and Canada's Indian Residential Schools.
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