Lisa Robertson is a poet and essayist from Toronto who currently lives and works in France. She has published several poetry books, essays and reviews and has been a visiting poet, lecturer and artist-in-residence at various institutions. Robertson’s poetry is known for its subversive engagement with the classical traditions of Western poetry and philosophy. Her subject matter is varied, framing poetic genres and philosophy with concepts of gender and nation, nature and womanhood and utopian impulses, as well as art, architecture, food and astrology. In the mid-1980s, Robertson studied at Simon Fraser University and became involved with the Kootenay School of Writing, a Vancouver-based writing collective, before running Proprioception Books (1988-94). Robertson has taught at the University of California San Diego, Capilano College, Dartington College of Art, the California College of Art and the University of Cambridge. Robertson continues to be one of Canada’s most celebrated and internationally recognized poets.
Join us in the Gallery for a reading by poet and essayist Lisa Robertson, “The Baudelaire Fractal.” Robertson describes the subject thusly:
“A new prose text, resulting from a period of intense immersion in Baudelaire. It slowly unravels a mystical experience – that of waking up in a hotel room one morning to discover that I have written the complete works of Baudelaire, yet without actually having become Baudelaire. It’s as if his texts have become me, or I have realized myself within them. In part the liminal portal of the hotel room inaugurates this experience, whose telling moves among hotel rooms occupied in my 35-year span of travelling and writing. The text moves from room to room, from memory to memory, including many inclusions of shared points of reference for B and I – looking at Claude in the Louvre, reading Poe, smoking hash, relative impoverishment, affairs, dandyism. . . It is part memoir, part novelistic magical realism, part trash-talking contemporary art and poetry life.”
Lisa Robertson is a poet and essayist from Toronto who currently lives and works in France. She has published several poetry books, essays and reviews and has been a visiting poet, lecturer and artist-in-residence at various institutions. Robertson’s poetry is known for its subversive engagement with the classical traditions of Western poetry and philosophy. Her subject matter is varied, framing poetic genres and philosophy with concepts of gender and nation, nature and womanhood and utopian impulses, as well as art, architecture, food and astrology. In the mid-1980s, Robertson studied at Simon Fraser University and became involved with the Kootenay School of Writing, a Vancouver-based writing collective, before running Proprioception Books (1988-94). Robertson has taught at the University of California San Diego, Capilano College, Dartington College of Art, the California College of Art and the University of Cambridge. Robertson continues to be one of Canada’s most celebrated and internationally recognized poets.
The Beautiful Brain is the first North American museum exhibition to present the extraordinary drawings of Santiago Ramón y Cajal (1852–1934), a Spanish pathologist, histologist and neuroscientist renowned for his discovery of neuron cells and their structure, for which he was awarded the Nobel Prize in Physiology and Medicine in 1906. Known as the father of modern neuroscience, Cajal was also an exceptional artist and studied as a teenager at the Academy of Arts in Huesca, Spain. He combined scientific and artistic skills to produce arresting drawings with extraordinary scientific and aesthetic qualities. A century after their completion, his drawings are still used in contemporary medical publications to illustrate important neuroscience principles, and continue to fascinate artists and visual art audiences. Eighty of Cajal’s drawings are accompanied by a selection of contemporary neuroscience visualizations by international scientists.
[more]Once again, we are pleased to welcome the UBC Contemporary Players to the Belkin Art Gallery for a concert inspired by the exhibition The Beautiful Brain: The Drawings of Santiago Ramón y Cajal. Led by Directors Corey Hamm and Paolo Bortolussi, this graduate and undergraduate student ensemble from the UBC School of Music will animate the Gallery for an afternoon program celebrating themes from the exhibition.
[more]French philosopher Dr. Catherine Malabou, best known for her work on plasticity, has forged new connections across such fields as philosophy, neuroscience and psychoanalysis and their fundamental entanglements with cultural, political and social life. Working with post-structuralist and post-critical methodologies, she addresses the work of philosophers Kant, Hegel, Freud, Heiddeger and Derrida. Her writing engenders a reconsideration of keywords and foundational concepts such as subjectivity, affect, gender, sex, feminism, neoliberalism, sovereignty, justice and trauma, to name a few.
[more]Celebrating the excessive abundance of the archive, Beginning with the Seventies: GLUT is concerned with language, depictions of the woman reader as an artistic genre and the potential of reading as performed resistance.
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