Christine D’Onofrio is an artist who works in photography, video, digital media, interactive media, printmaking, sculpture, book work and installation.Her practice explores themes related to art history and the nature of artistic practice, current and historical feminisms, exploitation, virtue, humiliation, humour and desire. She is interested in the contradictions and ambiguities of liberty, especially under capitalism and her work frequently juxtaposes consumer culture and mass media with art historical references. Her recent work critically addresses feminist strategies and discourses pertaining to structures of exploitation, humiliation and power. D’Onofrio is involved with Art+Feminism in Vancouver, an international campaign to improve the coverage of women and female identifying artists on Wikipedia.
The second in an ongoing series of events, Reactivating: Art and Archives gathers a community of interest around the issues of art, activism and archives. Talks by Christine D’Onofrio, Amy Nugent and Becki Ross will be followed by group discussions. This event is open to the public and free of charge.
Beginning with the Seventies: Activism, Art and Archives is part of the Belkin’s ongoing project investigating the 1970s, an era in which social movements of all kinds – feminism, environmentalism, LGBTQ and Indigenous rights, access to health services and housing – began to coalesce into models of self-organization. Many non-profit organizations formed in Vancouver to provide direct assistance, engender and distribute new knowledge, and resist forms of oppression, thereby creating a network that overlapped with the production of art and culture. The history of these organizations and their founders is preserved across archives, collections and networks; these resources vary in terms of public accessibility and are not well known to younger producers. We speculate: what if these archival materials are examined through an interdisciplinary lens that includes art and cultural practices?
At the same time, we see a current resurgence of art practice involved with social activism (which is often itself a form of social activism), with the 1970s becoming increasingly interesting to artists and other cultural producers. How might the acts of exploring grassroots archives and forging direct connections with activist networks shift the very way in which art and culture are defined and imagined? Could study and exchange between and among generations contribute to developing new models of presenting and valuing art?
Beginning with the Seventies will continue to collaborate with networks of artists, archivists, curators and activists on events, publications, exhibitions and discussions over the next three years. The project is made possible with the generous support of the Canada Council for the Arts, the Vancouver Foundation and our Belkin Curator’s Forum Members. We gratefully acknowledge event sponsor VIVO Media Arts Centre for their support of Reactivating: Art and Archives.
Christine D’Onofrio is an artist who works in photography, video, digital media, interactive media, printmaking, sculpture, book work and installation.Her practice explores themes related to art history and the nature of artistic practice, current and historical feminisms, exploitation, virtue, humiliation, humour and desire. She is interested in the contradictions and ambiguities of liberty, especially under capitalism and her work frequently juxtaposes consumer culture and mass media with art historical references. Her recent work critically addresses feminist strategies and discourses pertaining to structures of exploitation, humiliation and power. D’Onofrio is involved with Art+Feminism in Vancouver, an international campaign to improve the coverage of women and female identifying artists on Wikipedia.
Collective Acts taps into the generative potential of archival research by artists into experiments with collective organizing and cooperative production, presenting new work by Dana Claxton, Jeneen Frei Njootli and the ReMatriate Collective, Christine D’Onofrio and Heather Kai Smith, alongside work by Salish Weavers Guild members Mary Peters, Adeline Lorenzetto and Annabel Stewart. Beginning with the Seventies: Collective Acts is curated by Lorna Brown and is the third of four exhibitions based upon the Belkin Art Gallery’s research project investigating the 1970s, an era when social movements of all kinds – feminism, environmentalism, LGBTQ rights, Indigenous rights, access to health services and housing – began to coalesce into models of self-organization that overlapped with the production of art and culture. Noting the resurgence of art practice involved with social activism and an increasing interest in the 1970s from younger producers, the Belkin has connected with diverse archives and activist networks to bring forward these histories, to commission new works of art and writing and to provide a space for discussion and debate.
[more]In collaboration with UBC Department of Art History, Visual Art and Theory Instructor Christine D’Onofrio, and concurrent with Art+Feminism events worldwide, the Belkin Art Gallery invites participants of all genders and expressions to join in a Wikipedia Edit-a-thon. Annually each March, art and feminist communities around the world converge to correct Wikipedia’s gendered biases, to bolster the representation of female-identified persons indexed within the ubiquitous online resource.
[more]The third in an ongoing series of forums, Reactivating: Art and Archives gathers a community of interest around the issues of art, activism and archives. A collaboration with the Pleasure and Protest, Sometimes Simultaneously! free school and Western Front, this iteration takes the form of a panel discussion. Moderated by PPSS! co-founders Randy Lee Cutler and Magnolia Pauker, panelists Lorna Brown, Marcia Crosby and Kay Higgins will explore personal and professional experiences related to the broad thematic of Feminisms and Archives, promising critical and creative conversations, live. The aim of PPSS! is to engage and inspire critical praxis through reading and thinking together.
[more]Join us for a concert by the UBC Contemporary Players at the Belkin Art Gallery. Ensemble Director Paolo Bortolussi presents a program that celebrates the Belkin Art Gallery’s current exhibition Beginning With the 70s: Collective Acts.
[more]Please join Professor Erin Silver (UBC Department of Art History, Visual Art and Theory) for a tour and discussion of some of the works in the current exhibition at the Morris and Helen Belkin Art Gallery, Beginning with the Seventies: Collective Acts.
[more]As part of the exhibition Beginning with the Seventies: Collective Acts, the Belkin is honoured to present an afternoon symposium addressing key issues in feminism related to collective organizing, mobilization and individual resistance. How does attention to the archive affect everyday experience and acts of resistance to hegemonic inequality? Attending to struggles with racism, sexism, heterosexism, and other intersecting oppressions, this program will address the exhibition and the stubborn frustrations that persist in perpetuity. Please join us in conversation with Candice Hopkins and Marilyn Dumont.
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