Flutist Paolo Bortolussi is a soloist, chamber artist and new music pioneer. Raised in Halifax, NS, he has appeared as a soloist and chamber musician across Canada, the US and abroad. A specialist in contemporary music, Bortolussi is the flutist and co-director of the Nu:BC Collective, a new music and multimedia arts ensemble in residence at UBC. To date he has premiered over one hundred and fifty solo and chamber works. In 2016, Bortolussi released his first solo album, Israfel – music for flute and electronics, on the Redshift label, which includes works by Keith Hamel, Larry Lake, John Oliver and Kaija Saariaho. Currently principal flutist with the Vancouver Island Symphony, Bortolussi has appeared as soloist with the VIS as well as the Albany (NY) Symphony and the Turning Point Ensemble, and has performed with the Aventa Ensemble, the Vancouver Opera Orchestra, the Vancouver Intercultural Orchestra, as well as the Vancouver and Victoria Symphony Orchestras. Bortolussi is on the music faculty of the University of British Columbia, Kwantlen Polytechnic University and Trinity Western University. He holds a BMus in performance from the University of Ottawa as well as Masters and Doctoral degrees from Indiana University. He is currently director of the UBC Contemporary Players.
Directed by Paolo Bortolussi, the UBC Contemporary Players ensemble includes graduate and undergraduate students from the School of Music focusing on music and performance of our time. Programs blend masterworks by internationally acclaimed composers with world premieres of works written expressly for the ensemble by UBC composition majors.
Join us on Wednesday, 2 April 2025 at 2 pm for a concert by UBC School of Music Contemporary Players inspired by the current exhibition, Town + Country: Narratives of Property and Capital. Led by Director Paolo Bortolussi, this graduate and undergraduate student ensemble from the UBC School of Music will animate the gallery for an afternoon program celebrating themes and responding to chosen works from this exhibition.
All are welcome and admission is free.
Flutist Paolo Bortolussi is a soloist, chamber artist and new music pioneer. Raised in Halifax, NS, he has appeared as a soloist and chamber musician across Canada, the US and abroad. A specialist in contemporary music, Bortolussi is the flutist and co-director of the Nu:BC Collective, a new music and multimedia arts ensemble in residence at UBC. To date he has premiered over one hundred and fifty solo and chamber works. In 2016, Bortolussi released his first solo album, Israfel – music for flute and electronics, on the Redshift label, which includes works by Keith Hamel, Larry Lake, John Oliver and Kaija Saariaho. Currently principal flutist with the Vancouver Island Symphony, Bortolussi has appeared as soloist with the VIS as well as the Albany (NY) Symphony and the Turning Point Ensemble, and has performed with the Aventa Ensemble, the Vancouver Opera Orchestra, the Vancouver Intercultural Orchestra, as well as the Vancouver and Victoria Symphony Orchestras. Bortolussi is on the music faculty of the University of British Columbia, Kwantlen Polytechnic University and Trinity Western University. He holds a BMus in performance from the University of Ottawa as well as Masters and Doctoral degrees from Indiana University. He is currently director of the UBC Contemporary Players.
Directed by Paolo Bortolussi, the UBC Contemporary Players ensemble includes graduate and undergraduate students from the School of Music focusing on music and performance of our time. Programs blend masterworks by internationally acclaimed composers with world premieres of works written expressly for the ensemble by UBC composition majors.
Town + Country: Narratives of Property and Capital troubles the enduring narrative binary of town and country. Borders between these two terrains have always morphed and slipped around each other theoretically, politically, economically and socially, yet the narrative of the urban/rural divide persists. Indigenous land dispossession and reclamation, capital accumulation in the form of real-estate assets, labour and technological development are all obscured by this persistent fiction. Town and country narratives similarly obscure questions of class, freedom of movement and resource extraction.
[more]This reading room offers resources relating to the themes and artists present in the exhibition Town + Country: Narratives of Property and Capital.
[more]Please join us for a screening that brings together works by visual artists Tiziana La Melia, Krista Belle Stewart, Joan Jonas and Maggie Groat to interrogate an urban/rural entanglement in terms of land and culture.
[more]Sound Plots is an online audio series that highlights meaningful dialogues and interventions around exhibitions and programming at the Belkin.
[more]Please join us for a symposium planned in conjunction with the exhibition, Town and Country: Narratives or Property and Capital at the Musqueam Cultural Centre on Friday, 4 April 2025.
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