Linda Jennings is the collection curator of the University of British Columbia Herbarium at the Beaty Biodiversity Museum. Jennings holds an MSc in botany and has previously worked for the UBC Botanical Garden and taught in UBC’s Department of Botany. She also instructs the Master Gardeners.
Charmian Johnson (Canadian, 1939-2020) was an artist and educator who lived and worked in Vancouver. She studied ceramics under Glenn Lewis, and developed a distinct style within the Leachian tradition having spent a number of years at Bernard Leach’s pottery studio in St. Ives where she catalogued and archived the Leach collection. Beginning in the 1970s, Johnson has been highly regarded across local and international ceramic communities. Throughout her lifetime, she developed a meticulous drawing practice that she kept largely to herself. Rendering botanical elements she encountered in her own garden as well as on her travels to Morocco, Turkey, Hawaii and France, Johnson developed her drawings over time, sometimes for months or even years. Johnson studied drawing, graphics and pottery at the University of British Columbia. She has had solo exhibitions at the Vancouver Art Gallery and UBC Fine Arts Gallery (now the Belkin Gallery). Johnson has been featured in group exhibitions across Canada, including the National Gallery of Canada, Ottawa; the UBC Museum of Anthropology, Vancouver; the Burnaby Art Gallery; the Art Gallery of Greater Victoria; the Glenbow Museum, Calgary; the Museum of Natural Sciences, Ottawa; Catriona Jeffries Gallery, Vancouver; and in the 2004 exhibition Thrown: Influences and Intentions of West Coast Ceramics at the Morris and Helen Belkin Art Gallery, which she co-curated.
Holly Schmidt (Canadian, b. 1976) is an artist, curator and educator engaging in embodied research, collaboration and informal pedagogy. She creates site-specific public projects that lead to experiments with materials in her studio. As the core of her work, Schmidt explores the multiplicity of human relations with the natural world. During her residency with the Belkin’s Outdoor Art Program, Schmidt has utilized spaces between campus buildings through a process of collective knowledge production. These artistic and ecological interventions foster relationships with plants in a manner that is both distinct from the formal, university landscape design as well as from standard notions of gallery space. Schmidt has been involved in exhibitions, projects and residencies at the Belkin Outdoor Art Program; the Burrard Arts Foundation, Vancouver; AKA Gallery, Saskatoon; Charles H. Scott Gallery, Vancouver; the Santa Fe Art Institute; Burnaby Art Gallery; and Other Sights for Artists’ Projects, Vancouver.
Please join Holly Schmidt, the Belkin’s Outdoor Art program artist-in-residence, and Linda Jennings, Curator of the UBC Beaty Biodiversity Museum Herbarium, for a hands-on botanical drawing workshop inspired by the drawings of Charmian Johnson, currently on display as part of The Willful Plot exhibition. Working from plant pressings loaned from the Herbarium’s vast collection of plant species, participants will be introduced to processes for collecting and preserving plants for scientific study while engaging in the careful observation and recording of specimens through drawing.
This free workshop will take place inside the Belkin and all materials will be provided. Participants high-school age and older are welcome, and no previous drawing experience is necessary. Spaces are limited and are offered on a first-come, first-served basis; to register, email us at belkin.rsvp@ubc.ca.
Linda Jennings is the collection curator of the University of British Columbia Herbarium at the Beaty Biodiversity Museum. Jennings holds an MSc in botany and has previously worked for the UBC Botanical Garden and taught in UBC’s Department of Botany. She also instructs the Master Gardeners.
Charmian Johnson (Canadian, 1939-2020) was an artist and educator who lived and worked in Vancouver. She studied ceramics under Glenn Lewis, and developed a distinct style within the Leachian tradition having spent a number of years at Bernard Leach’s pottery studio in St. Ives where she catalogued and archived the Leach collection. Beginning in the 1970s, Johnson has been highly regarded across local and international ceramic communities. Throughout her lifetime, she developed a meticulous drawing practice that she kept largely to herself. Rendering botanical elements she encountered in her own garden as well as on her travels to Morocco, Turkey, Hawaii and France, Johnson developed her drawings over time, sometimes for months or even years. Johnson studied drawing, graphics and pottery at the University of British Columbia. She has had solo exhibitions at the Vancouver Art Gallery and UBC Fine Arts Gallery (now the Belkin Gallery). Johnson has been featured in group exhibitions across Canada, including the National Gallery of Canada, Ottawa; the UBC Museum of Anthropology, Vancouver; the Burnaby Art Gallery; the Art Gallery of Greater Victoria; the Glenbow Museum, Calgary; the Museum of Natural Sciences, Ottawa; Catriona Jeffries Gallery, Vancouver; and in the 2004 exhibition Thrown: Influences and Intentions of West Coast Ceramics at the Morris and Helen Belkin Art Gallery, which she co-curated.
Holly Schmidt (Canadian, b. 1976) is an artist, curator and educator engaging in embodied research, collaboration and informal pedagogy. She creates site-specific public projects that lead to experiments with materials in her studio. As the core of her work, Schmidt explores the multiplicity of human relations with the natural world. During her residency with the Belkin’s Outdoor Art Program, Schmidt has utilized spaces between campus buildings through a process of collective knowledge production. These artistic and ecological interventions foster relationships with plants in a manner that is both distinct from the formal, university landscape design as well as from standard notions of gallery space. Schmidt has been involved in exhibitions, projects and residencies at the Belkin Outdoor Art Program; the Burrard Arts Foundation, Vancouver; AKA Gallery, Saskatoon; Charles H. Scott Gallery, Vancouver; the Santa Fe Art Institute; Burnaby Art Gallery; and Other Sights for Artists’ Projects, Vancouver.
The Willful Plot brings together artists' practices to expand the notion of the garden as a site of tension between wild and cultivated, temporal and perpetual, public and private, sovereign and colonized. Here, the garden is considered by the artists not only as a delineated patch of earth, but as a story and a will to drive that story to complicate the way in which cultures and individuals see themselves in relation to ecology, sociality, belief and possibility. It is an opportunity to look at human relationships with land, flora, fauna and their interrelatedness. In its willfulness, the resistance garden is a counter-site, a heterotopia for alternative cultivation and potential transformation.
[more]The Willful Plot brings together artists’ practices to expand the notion of the garden as a site of tension between wild and cultivated, temporal and perpetual, public and private, sovereign and colonized. This online Reading Room includes texts expanding on different notions of the garden and more-than-human relationships, as well as the political implications of thinking willfully, with and alongside.
[more]Join us for a concert by the UBC Contemporary Players directed by Paolo Bortolussi and teaching assistant Ramsey Sadaka in a program that celebrates the Belkin’s current exhibition The Willful Plot.
[more]In this release of Works from the Collection, Jay Pahre considers work by Charmian Johnson in The Willful Plot exhibition.
[more]In conjunction with The Willful Plot, join us for an outdoor walk that considers the UBC Vancouver campus from the perspective of the backyard.
[more]As The Willful Plot invites us to consider sites of tension through an expanded notion of the garden, Sound Plots considers these intersections of site, human and nonhuman ecologies through sound.
[more]