Alejandro A. Barbosa (they/he) is an HIV- queer latinx visual artist born in Argentina who lives and works on the traditional, ancestral, and unceded territories of the Coast Salish peoples—the Musqueam, Squamish, and Tsleil-Waututh Nations—in what is known as Canada. Alejandro’s art practice focuses on lens-based media and revolves around questions on the politics of looking, the political implications of space exploration discourse, the flaws of representation, and queer lived experience. They hold an MFA in visual art from the University of British Columbia, and a BFA in photography from Concordia University. Alejandro’s work has been exhibited and collected in Argentina, Canada, Peru, and the United States.
Jay Pahre (American, b. 1991) is a queer and trans settler artist, writer, and cultural worker currently based on the unceded territories of the of Musqueam, Squamish and Tsleil-Waututh peoples. Weaving between drawing, sculpture and writing, his work queries trans and queer nonhuman ecologies at points of intersection with the human. Originally from the midwestern US, Pahre has turned his work back toward the shifting ecologies of the Great Lakes and Great Plains regions. He received his BFA in painting and BA in East Asian studies in 2014, and his MA in East Asian studies from the University of Illinois in 2017. He went on to complete his MFA in visual art at the University of British Columbia in 2020. His work has been exhibited across the US and Canada. He was selected for the Transgender Studies Chair Fellowship at the University of Victoria (2020), as well as the Helen Belkin Memorial Scholarship (2020) and Fred Herzog Award in Visual Art (2019) at the University of British Columbia.
In conjunction with The Willful Plot, join us for an outdoor walk that considers the UBC Vancouver campus from the perspective of the backyard. This backyard walk will take us to parts of campus that are overlooked, passed by or have presences that aren’t brought forward to the front-facing parts of campus. Through a conversational walk with Jay Pahre and Alejandro A. Barbosa, we’ll consider some of the narratives these parts of campus tell, and what they withhold.
Space on this walk is limited; to reserve a spot, email belkin.rsvp@ubc.ca
Alejandro A. Barbosa (they/he) is an HIV- queer latinx visual artist born in Argentina who lives and works on the traditional, ancestral, and unceded territories of the Coast Salish peoples—the Musqueam, Squamish, and Tsleil-Waututh Nations—in what is known as Canada. Alejandro’s art practice focuses on lens-based media and revolves around questions on the politics of looking, the political implications of space exploration discourse, the flaws of representation, and queer lived experience. They hold an MFA in visual art from the University of British Columbia, and a BFA in photography from Concordia University. Alejandro’s work has been exhibited and collected in Argentina, Canada, Peru, and the United States.
Jay Pahre (American, b. 1991) is a queer and trans settler artist, writer, and cultural worker currently based on the unceded territories of the of Musqueam, Squamish and Tsleil-Waututh peoples. Weaving between drawing, sculpture and writing, his work queries trans and queer nonhuman ecologies at points of intersection with the human. Originally from the midwestern US, Pahre has turned his work back toward the shifting ecologies of the Great Lakes and Great Plains regions. He received his BFA in painting and BA in East Asian studies in 2014, and his MA in East Asian studies from the University of Illinois in 2017. He went on to complete his MFA in visual art at the University of British Columbia in 2020. His work has been exhibited across the US and Canada. He was selected for the Transgender Studies Chair Fellowship at the University of Victoria (2020), as well as the Helen Belkin Memorial Scholarship (2020) and Fred Herzog Award in Visual Art (2019) at the University of British Columbia.
The Willful Plot brings together artists' practices to expand the notion of the garden as a site of tension between wild and cultivated, temporal and perpetual, public and private, sovereign and colonized. Here, the garden is considered by the artists not only as a delineated patch of earth, but as a story and a will to drive that story to complicate the way in which cultures and individuals see themselves in relation to ecology, sociality, belief and possibility. It is an opportunity to look at human relationships with land, flora, fauna and their interrelatedness. In its willfulness, the resistance garden is a counter-site, a heterotopia for alternative cultivation and potential transformation.
[more]The Willful Plot brings together artists’ practices to expand the notion of the garden as a site of tension between wild and cultivated, temporal and perpetual, public and private, sovereign and colonized. This online Reading Room includes texts expanding on different notions of the garden and more-than-human relationships, as well as the political implications of thinking willfully, with and alongside.
[more]Join us for a series of lectures at the Belkin. We invite Jane Wolff, Desirée Valaderes and Sara Jacobs to address The Willful Plot.
[more]Join us for a concert by the UBC Contemporary Players directed by Paolo Bortolussi and teaching assistant Ramsey Sadaka in a program that celebrates the Belkin’s current exhibition The Willful Plot.
[more]As The Willful Plot invites us to consider sites of tension through an expanded notion of the garden, Sound Plots considers these intersections of site, human and nonhuman ecologies through sound.
[more]Join Glenn Lewis for a discussion of his work in The Willful Plot along with curator Melanie O'Brian. Over five decades, Glenn Lewis has photographed and created gardens in an investigation of paradisial symbolism.
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