Ian Wallace was born in Shoreham, England in 1943. After completing his studies at the University of British Columbia and graduating with a Master’s Degree in Art History, he taught art history at UBC from 1967 to 1970 and at the Emily Carr Institute of Art and Design from 1972 to 1998. Wallace has been active in the creation, promotion and appreciation of innovative processes in contemporary art practice through writing, teaching and exhibiting his work. Wallace has been an influential figure in the development of an internationally acknowledged photographic and conceptual art practice in Vancouver. Ian Wallace is represented by Catriona Jeffries Gallery, Vancouver; Hauser & Wirth, London, New York and Zurich; Jessica Silverman, San Francisco; and Galerie Greta Meert, Brussels. In 2004 he was the recipient of the Governor General’s Award for the Visual Arts and in 2013 appointed Officer of the Order of Canada. (2018)

Scott Watson (Canadian, b. 1950) is Director Emeritus and Research Fellow at the Morris and Helen Belkin Art Gallery, University of British Columbia. A curator whose career has spanned more than thirty-five years, Watson is internationally recognized for his research and work in curatorial and exhibition studies, contemporary art and issues, and art theory and criticism. His distinctions include the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art (2010); the Alvin Balkind Award for Creative Curatorship in BC Arts (2008) and the UBC Dorothy Somerset Award for Performance Development in the Visual and Performing Arts (2005). Watson has published extensively in the areas of contemporary Canadian and international art. His 1990 monograph on Jack Shadbolt earned the Hubert Evans Non-Fiction Prize in 1991. Recent publications include Letters: Michael Morris and Concrete Poetry (2015); Thrown: British Columbia’s Apprentices of Bernard Leach and their Contemporaries (2011), a finalist for the 2012 Roderick Haig-Brown Regional Prize; “Race, Wilderness, Territory and the Origins of the Modern Canadian Landscape” and “Disfigured Nature” (in Beyond Wilderness, McGill University Press, 2007); and “Transmission Difficulties: Vancouver Painting in the 1960s” (in Paint, Vancouver Art Gallery, 2006).