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6: New Vancouver Modern

1998 / ISBN 0-88865-602-5
80 pages, colour, paperback

$5
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Exhibition catalogue from 6: New Vancouver Modern at the Belkin (6 February—29 March 1998) with texts by Scott Watson, Patrik Andersson and Shannon Oksanen, Sharla Sava, Reid Shier and Michael Turner. The exhibition presents works by the current generation of Vancouver artists – Geoffrey Farmer, Myfanwy MacLeod, Damian Moppett, Steven Shearer, Ron Terada and Kelly Wood – who produce engaged contemporary work in idioms that are in international circulation: photo-based conceptualism, exploration of commodity fetishism, interrogations about the status of representation. Their works represent a distinct new outlook: that of the modern menagerie. The artists are concerned with sources in popular culture, processes of abstraction and the hybridization of media. Much of the work refers to the culture of children and teens as sites of pleasure and gratification no longer available and flirts with the politic of “slacker” culture, defeatism and indifference.

  • Patrik Andersson and Shannon Oksanen

    Writer
  • Sharla Sava

    Writer
  • Reid Shier

    Writer
  • Michael Turner

    Writer
  • Scott Watson

    Curator

    Scott Watson (Canadian, b. 1950) is Director Emeritus and Research Fellow at the Morris and Helen Belkin Art Gallery, University of British Columbia. A curator whose career has spanned more than thirty-five years, Watson is internationally recognized for his research and work in curatorial and exhibition studies, contemporary art and issues, and art theory and criticism. His distinctions include the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art (2010); the Alvin Balkind Award for Creative Curatorship in BC Arts (2008) and the UBC Dorothy Somerset Award for Performance Development in the Visual and Performing Arts (2005). Watson has published extensively in the areas of contemporary Canadian and international art. His 1990 monograph on Jack Shadbolt earned the Hubert Evans Non-Fiction Prize in 1991. Recent publications include Letters: Michael Morris and Concrete Poetry (2015); Thrown: British Columbia’s Apprentices of Bernard Leach and their Contemporaries (2011), a finalist for the 2012 Roderick Haig-Brown Regional Prize; “Race, Wilderness, Territory and the Origins of the Modern Canadian Landscape” and “Disfigured Nature” (in Beyond Wilderness, McGill University Press, 2007); and “Transmission Difficulties: Vancouver Painting in the 1960s” (in Paint, Vancouver Art Gallery, 2006).

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Related

  • Exhibition

    6 February 1998 – 29 March 1998

    6: New Vancouver Modern

    The Morris and Helen Belkin Art Gallery is proud to present an exhibition of works by the current generation of Vancouver artists. Geoffrey Farmer, Myfanwy MacLeod, Damian Moppett, Steven Shearer, Ron Terada, and Kelly Wood produce engaged contemporary work in idioms that are in international circulation: photo-based conceptualism, exploration of commodity fetishism, interrogations about the status of representation. Their works represent a distinct new outlook: that of the modern menagerie.

    [more]

Morris and Helen Belkin Art Gallery

University of British Columbia

1825 Main Mall

Vancouver, British Columbia,

Canada V6T 1Z2 Map

xʷməθkʷəy̍əm | Musqueam Territory

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