Nadia Myre (Kitigan Zibi Anishinaabeg First Nation, b. 1974) is a contemporary visual artist whose multi-disciplinary practice delves into themes of resilience, belonging, transformation, and the politics of recognition. Her work brings together complex histories of Aboriginal identity, nationhood, memory, and handicraft, using beadwork techniques to craft laborious works. Through her evocative creations, Myre explores the structures of power that shape personal and collective narratives, crafting spaces for reflection on memory, ancestral connections, and the shared fragility of the human experience. Her work sparks dialogues that bridge history, materiality, and the poetics of storytelling. Myre is a graduate of Camosun College (1995), Emily Carr University of Art and Design (1997), and Concordia University, where she earned a Master’s degree in Visual Arts (2002).