Justine A. Chambers is an artist and educator living and working on the unceded Coast Salish territories of the Squamish, Musqueam and Tsleil-Waututh Nations. Her movement-based practice considers how choreography can be an empathic practice rooted in collaborative creation, close observation, and the body as a site of a cumulative embodied archive. Privileging what is felt over what is seen, she works with dances “that are already there”–the social choreographies present in the everyday. Her choreographic projects have been presented at Libby Leshgold Gallery (Vancouver), Culture Days (Toronto), Contemporary Art Gallery (Vancouver), Helen and Morris Belkin Gallery  (Vancouver), Sophiensaele (Berlin), Nanaimo Art Gallery, Artspeak (Vancouver), Hong Kong Arts Festival, Art Museum at the University of Toronto, Cantor Fitzgerald Gallery at Haverford College (Haverford, PA), Agora de la Danse (Montréal), Festival of New Dance (St. John’s), Mile Zero Dance Society (Edmonton), Dancing on the Edge (Vancouver), Canada Dance Festival (Ottawa), Dance in Vancouver, The Western Front, and the Vancouver Art Gallery. She is Max Tyler-Hite’s mother.