Skeena Reece (Tsimshian/Gitksan/Cree, b. 1974) is an artist based on the West Coast of British Columbia. Her installation and performance work has garnered national and international attention, most notably for Raven: On the Colonial Fleet (2010) presented at the 2010 Sydney Biennale as part of the group exhibition Beat Nation. Her multi-disciplinary practice includes performance art, spoken word, humour, “sacred clowning,” writing, singing, songwriting, video and visual art. She studied media arts at Emily Carr University of Art and Design, and was the recipient of the British Columbia Award for Excellence in the Arts (2012), the VIVA Award (2014) and the Hnatyshyn Award (2017). For Savage (2010), Reece won a Genie Award for Best Acting in a Short Film and the film won a Golden Sheaf Award for Best Multicultural Film, ReelWorld Outstanding Canadian Short Film, Leo Awards for Best Actress and Best Editing. Solo exhibitions include Surrounded at the Morris and Helen Belkin Art Gallery (2019); Touch Me at the Comox Valley Art Gallery, Courtenay, BC (2018); Moss at Oboro Gallery, Montréal (2017) and The Sacred Clown & Other Strangers at Urban Shaman Contemporary Aboriginal Art, Winnipeg (2015). Group Exhibitions include Red on Red: Indigeneity, Labour, Value at the University of British Columbia, Vancouver (2022); Women & Masks: An Arts-Based Research Conference at Boston University (2021-22), Interior Infinite at the Polygon Gallery, North Vancouver (2021); Àbadakone at the National Gallery of Canada, Ottawa (2018-2019) and Sweetgrass and Honey at Plug In ICA, Winnipeg (2018), among others.
The Belkin’s outdoor screen will exhibit Skeena Reece’s Master Gesture (2018) daily from 9 am until 9 pm through 9 July 2023. Master Gesture refers to a distinctive action that serves as a clue to a character’s personality. This silent video includes a close up of one figure whispering in another’s ear, money being exchanged in a handshake and a carver making a mark, all of which hold significance passed down through generations and cultures. Reece’s work Hold This (2018) is included in the Belkin’s summer exhibition What Is Welcome? (23 June-13 August 2023).
Skeena Reece (Tsimshian/Gitksan/Cree, b. 1974) is an artist based on the West Coast of British Columbia. Her installation and performance work has garnered national and international attention, most notably for Raven: On the Colonial Fleet (2010) presented at the 2010 Sydney Biennale as part of the group exhibition Beat Nation. Her multi-disciplinary practice includes performance art, spoken word, humour, “sacred clowning,” writing, singing, songwriting, video and visual art. She studied media arts at Emily Carr University of Art and Design, and was the recipient of the British Columbia Award for Excellence in the Arts (2012), the VIVA Award (2014) and the Hnatyshyn Award (2017). For Savage (2010), Reece won a Genie Award for Best Acting in a Short Film and the film won a Golden Sheaf Award for Best Multicultural Film, ReelWorld Outstanding Canadian Short Film, Leo Awards for Best Actress and Best Editing. Solo exhibitions include Surrounded at the Morris and Helen Belkin Art Gallery (2019); Touch Me at the Comox Valley Art Gallery, Courtenay, BC (2018); Moss at Oboro Gallery, Montréal (2017) and The Sacred Clown & Other Strangers at Urban Shaman Contemporary Aboriginal Art, Winnipeg (2015). Group Exhibitions include Red on Red: Indigeneity, Labour, Value at the University of British Columbia, Vancouver (2022); Women & Masks: An Arts-Based Research Conference at Boston University (2021-22), Interior Infinite at the Polygon Gallery, North Vancouver (2021); Àbadakone at the National Gallery of Canada, Ottawa (2018-2019) and Sweetgrass and Honey at Plug In ICA, Winnipeg (2018), among others.
What Is Welcome? includes works from the Belkin's collection and long-term residency that question the art institution's language, boundaries and potential for change. From performance to works-in-process that effect institutional practices, the artists included operate with, and at the same time counter, the institution to address the what, how and the why of gallery operations.
[more]Last year, the Belkin Art Gallery was delighted to acquire The Time It Takes (2017), the adult-sized cradleboard artwork by Skeena Reece, for our permanent collection. At that time, Reece said that she had always wanted to work with the cradleboard to create a series of photographs that would document her wrapping specific people in the moss bag. This spring, the Belkin Art Gallery will support Reece’s idea to spend time with the people she invites to be wrapped, and will work with Rachel Topham to document the process. The Time It Takes, along with the photographs and video documentation, will be installed in the Gallery to form the foundation of an exhibition.
[more]This reading room offers resources relating to and exceeding the themes present in the exhibition What Is Welcome?, which includes works from the Belkin’s collection and long-term residency that question the art institution’s language, boundaries and potential for change. From performance to works-in-process that effect institutional practices, the artists included operate with, and at the same time counter, the institution to address the what, how and the why of gallery operations. Artists include Allyson Clay, Claudia Cuesta, Andrea Fraser, ReMatriate Collective, Holly Schmidt, as well as recent acquisitions of work by Skeena Reece, Kika Thorne and Tania Willard.
[more]With the opening of the Image Bank exhibition on June 18, 2021, the gallery is pleased to launch the Outdoor Screen, a 4x2 metre outdoor screen curated with media works from the Belkin’s permanent collection and archive alongside work commissioned specifically for this platform.
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