Melissa S. Armstrong is an undisciplined, non-binary, mixed-race, settler-scholar living and working on the unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh and səl̓ílwətaʔɬ nations. Their current body of work queers notions of scientific objectivity, integrating the affective, subjective and embodied, while developing methods that analyze neuroscience data with artistic processes and tools rather than statistical ones. They hold a BFA from Rhode Island School of Design (2007) and are currently a PhD candidate in Zoology at the University of British Columbia.
Melissa S. Armstrong’s work Transmute ([5.19:11.20] ∆ [7.22:2.23])/[5.23:6.23] (2023) runs on the Belkin’s outdoor screen daily from 9 am until 9 pm (5 May-4 June 2023).
Armstrong, who is currently a PhD candidate in zoology at UBC, was invited by the 2023 MFA candidates to present their work alongside Things that do not come by the road: Master of Fine Arts Graduate Exhibition, acknowledging the interdisciplinary nature of the MFA program and the importance of connections made outside of institutional structures.
Transmute is the first in a series of animations that the artist produced by capturing images revealed when sanding through blocks of diaristic materials that were de/re-constructed from scientific laboratory notebooks. Pages from the notebooks are interleaved with objects and materials associated with experiments, experimental subjects and events that occur within the timespan presented on the pages. The resultant block of material is obliterated during the sanding. The list of sanded materials includes: canvas wrapped board, laboratory notebooks, Joelle’s shark sticker, zebra finch (Taeniopygia guttata) feathers, acrylic medium, ashes, origami crane, bird seed, Mudge Island sage (Salvia officinalis), chrome flakes, fabric dye, dust from Title Unknown, metallic thread, ink, bird feces, paper tape, Vancouver lavender (Lavendula officinalis), retroreflective movement tracking markers, Hayden’s compositions, nesting material, acrylic paint, mica powder, Mudge Island foxglove (Digitalis purpurea) dried and pressed inside The Body Keeps the Score.
Melissa S. Armstrong is an undisciplined, non-binary, mixed-race, settler-scholar living and working on the unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh and səl̓ílwətaʔɬ nations. Their current body of work queers notions of scientific objectivity, integrating the affective, subjective and embodied, while developing methods that analyze neuroscience data with artistic processes and tools rather than statistical ones. They hold a BFA from Rhode Island School of Design (2007) and are currently a PhD candidate in Zoology at the University of British Columbia.
The Belkin is pleased to present an exhibition of work by the 2023 graduates of the University of British Columbia’s two-year Master of Fine Arts program: Reggie Harrold, Sarv Iraji, Ramneet Kaur, Alejandra Morales and Kitt Peacock. This program in the Department of Art History, Visual Art and Theory is limited each year to a small group of four to six artists, who over the two years foster different sensibilities developed within an intimate and discursive working environment.
[more]From January until May 2023, the Belkin's outdoor screen will exhibit Janet Cardiff and George Bures Miller's 3-minute video House Burning (2001) daily from 9 am until 9 pm.
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