Marian Penner Bancroft (Canadian, b. 1947) is a Vancouver-based photographer and visual artist and Professor Emerita at Emily Carr University of Art and Design. While multifaceted and ever evolving, her practice has largely centered on the intersection between socio-cultural history, personal memory and photography. More recently, Bancroft’s work has focused on investigating the relationship between photographic images, history, music and mapping strategies in terms of their capacity to represent landscapes. Bancroft studied at UBC, the Vancouver School of Art and Ryerson Polytechnical Institute. Bancroft has exhibited extensively in solo exhibitions at the Vancouver Art Gallery, Catriona Jeffries Gallery, Republic Gallery, Galerie de l’UQAM, Or Gallery and Presentation House Gallery. She has been featured in group exhibitions including C. 1983 (2012) at Presentation House Gallery, North Vancouver; SLOW: Relations + Practices (2010) at Centre A, Vancouver and Wack: Art And The Feminist Revolution (2008) at the Vancouver Art Gallery. Bancroft has won numerous awards including the Audain Prize for Lifetime Achievement in the Visual Arts (2012), the Higashikawa Award for photographic Achievements (2018) and the Canada Council Paris Studio Residency Award (2005).
From June until September, the Belkin’s outdoor screen will exhibit Marian Penner Bancroft’s 12-minute video the rifting of Pangaea (2019) daily from 9 am until 9 pm. Evocative of breaking and shifting continents, the rifting of Pangaea takes a domestic, interrogative view of large scale geologic and time changes. Focusing the camera on changing bubble clusters forming and unforming on the surface of water, the work dislocates the viewer in scale, space and time. Through an aesthetic approach, Penner Bancroft considers abstract knowledge by close observation to allude to and perhaps align with scientific phenomena and theory.
the rifting of Pangaea developed as part of Leaning out of Windows, an interdisciplinary art and science project that attempts to understand the nature of reality, and was shown at Emily Carr University of Art and Design in 2020 as part of that project.
Marian Penner Bancroft (Canadian, b. 1947) is a Vancouver-based photographer and visual artist and Professor Emerita at Emily Carr University of Art and Design. While multifaceted and ever evolving, her practice has largely centered on the intersection between socio-cultural history, personal memory and photography. More recently, Bancroft’s work has focused on investigating the relationship between photographic images, history, music and mapping strategies in terms of their capacity to represent landscapes. Bancroft studied at UBC, the Vancouver School of Art and Ryerson Polytechnical Institute. Bancroft has exhibited extensively in solo exhibitions at the Vancouver Art Gallery, Catriona Jeffries Gallery, Republic Gallery, Galerie de l’UQAM, Or Gallery and Presentation House Gallery. She has been featured in group exhibitions including C. 1983 (2012) at Presentation House Gallery, North Vancouver; SLOW: Relations + Practices (2010) at Centre A, Vancouver and Wack: Art And The Feminist Revolution (2008) at the Vancouver Art Gallery. Bancroft has won numerous awards including the Audain Prize for Lifetime Achievement in the Visual Arts (2012), the Higashikawa Award for photographic Achievements (2018) and the Canada Council Paris Studio Residency Award (2005).
With the opening of the Image Bank exhibition on June 18, 2021, the gallery is pleased to launch the Outdoor Screen, a 4x2 metre outdoor screen curated with media works from the Belkin’s permanent collection and archive alongside work commissioned specifically for this platform.
[more]Start Somewhere Else: Works from the Collection centres around Krista Belle Stewart's video installation Seraphine, Seraphine (2015) to consider doubling – and duplicities – in personal and historical narratives. Through an interest in the archive and how stories are told between the individual and institutional, Stewart's practice takes up the complexities of intention and interpretation made possible by archival material.
Join curators Melanie O'Brian and Krista Belle Stewart for a tour of Start Somewhere Else: Works from the Collection, which centres around Stewart's video installation Seraphine, Seraphine (2015) to consider doubling – and duplicities – in personal and historical narratives. O'Brian and Stewart will walk through the exhibition and offer insights into the themes, conversations and points of resonance between Stewart's and the other works drawn from the Belkin's permanent collection.
[more]In recognition of National Indigenous Peoples’ Day on Tuesday, 21 June, the Belkin’s Outdoor Screen will present a selection of videos that feature the work and words of Musqueam artists, cultural knowledge keepers and community members. The screenings will begin at 11 am, 1 pm, 3pm and 5 pm, with a one-time screening of c̓əsnaʔəm: the city before the city (2017) (1 h 13 m) at 6 pm.
[more]On Sunday, June 20, the summer solstice, we will project Jumana Manna’s film Wild Relatives (64 minutes, 2018) on the Belkin's Outdoor Screen located on the exterior of the gallery's wall along Main Mall, in a conversation across media with Holly Schmidt’s Fireweed Fields. The strange, spasmodic course of space and time in recent months has been mitigated by little other than the changes in seasons, the rhythms of nature, and the communal spaces offered by the outdoors. Seasonal and celestial markers such as that of the solstice bring this collective orientation upward and outward into marked relief. Wild Relatives will screen first at 11 am and then on each odd hour with the last screening at 7 pm.
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