Denise Ferreira da Silva is an artist and Professor at UBC’s Social Justice Institute-GRSJ and Adjunct Professor at Monash University’s School of Art, Design and Architecture. She is the author of Toward a Global Idea of Race (University of Minnesota Press, 2007), A Dívida Impagavel (Oficina da Imaginaçāo Política and Living Commons, 2019), Unpayable Debt (Sternberg/MIT Press, 2022) and co-editor (with Paula Chakravartty) of Race, Empire, and the Crisis of the Subprime (Johns Hopkins University Press, 2013). Her artistic works include the films with Arjuna Neuman and the relational art practices Poethical Readings and Sensing Salon in collaboration with Valentina Desideri. She has exhibited and lectured at the Pompidou Center (Paris), Whitechapel Gallery (London), MASP (Sao Paulo), Guggenheim (New York) and MoMA (New York). She has written for publications from Liverpool Biennale, 2017; Sao Paulo Biennale, 2016, Venice Biennale, 2017, and Documenta 14 and published in journals such as Canadian Art, Frieze, Pass, Texte Zur Kunst and e-flux. She has held visiting professorships at major universities in Australia, Brazil, Britain, Denmark, Germany and the United States and is a member of the collective EhChO.org and an editor of Third Text.
Arjuna Neuman was born on an airplane, that’s why he has two passports. He is an artist, filmmaker and writer. With recent presentations at CCA Glasgow; Centre Pompidou, Paris; Manifesta 10, Marseille; Showroom Gallery, London; TPW Gallery, Toronto; Forum Expanded, Berlin Berlinale; Jameel Art Centre, Dubai; Berlin Biennial 10, Germany; Serpentine, London X Qalandia Biennial, Palestine; Gasworks, London; Bold Tendencies, London, UK; Or Gallery, Vancouver; Whitechapel Gallery, London; Istanbul Modern, Turkey; MAAT and Docslisboa, Portugal; Sharjah Biennial 13, UAE; Bergen Assembly, Norway; at NTU Centre for Contemporary Art, Singapore; the 56th Venice Biennale and SuperCommunity; Industry of Light, London; the Haus Der Kulturen der Welt; at Ashkal Alwan and the Beirut Art Centre, Lebanon; Le Gaite Lyric, Paris; the Canadian Centre for Architecture; and the Rat School of Art, Seoul amongst others. As a writer he has published essays in Relief Press, Into the Pines Press, The Journal for New Writing, VIA Magazine, Concord, Art Voices, Flaunt, LEAP, Hearings and e-flux.
As part of the exhibition Elemental Cinema: Denise Ferreira da Silva and Arjuna Neuman, the Belkin’s Outdoor Screen will show the artists’ Crossroads (2019) daily from 9 am to 9 pm.
Corresponding with 4 Waters – Deep Implicancy, a film in Elemental Cinema, this slideshow includes images from the Smithsonian Institution Archives’ Operation Crossroads (1946-55), a US Navy-led scientific study of the effects of the atom bomb testing on the Marshall Islands and Bikini Atoll. Images were taken by Leonard P. Schultz, Curator of Ichthyology, Smithsonian Institution, who was part of the study. The group studied the relative abundance of flora and fauna before and after the atom bomb tests. Specimens were collected for the purpose of comparison and to make possible a study of anatomical variations among the various island fish populations. The biological survey collected plants and animals on and around Bikini, Eniwetok, Rongelap and Rongerik Atolls.
Elemental Cinema brings together the collaborative film works of Denise Ferreira da Silva and Arjuna Neuman. In this series of films, the four elements – water, earth, fire, air – inform the artists’ considerations of an entangled existence, and of time and value that reimagine knowledge and existence “otherwise.”
Denise Ferreira da Silva is an artist and Professor at UBC’s Social Justice Institute-GRSJ and Adjunct Professor at Monash University’s School of Art, Design and Architecture. She is the author of Toward a Global Idea of Race (University of Minnesota Press, 2007), A Dívida Impagavel (Oficina da Imaginaçāo Política and Living Commons, 2019), Unpayable Debt (Sternberg/MIT Press, 2022) and co-editor (with Paula Chakravartty) of Race, Empire, and the Crisis of the Subprime (Johns Hopkins University Press, 2013). Her artistic works include the films with Arjuna Neuman and the relational art practices Poethical Readings and Sensing Salon in collaboration with Valentina Desideri. She has exhibited and lectured at the Pompidou Center (Paris), Whitechapel Gallery (London), MASP (Sao Paulo), Guggenheim (New York) and MoMA (New York). She has written for publications from Liverpool Biennale, 2017; Sao Paulo Biennale, 2016, Venice Biennale, 2017, and Documenta 14 and published in journals such as Canadian Art, Frieze, Pass, Texte Zur Kunst and e-flux. She has held visiting professorships at major universities in Australia, Brazil, Britain, Denmark, Germany and the United States and is a member of the collective EhChO.org and an editor of Third Text.
Arjuna Neuman was born on an airplane, that’s why he has two passports. He is an artist, filmmaker and writer. With recent presentations at CCA Glasgow; Centre Pompidou, Paris; Manifesta 10, Marseille; Showroom Gallery, London; TPW Gallery, Toronto; Forum Expanded, Berlin Berlinale; Jameel Art Centre, Dubai; Berlin Biennial 10, Germany; Serpentine, London X Qalandia Biennial, Palestine; Gasworks, London; Bold Tendencies, London, UK; Or Gallery, Vancouver; Whitechapel Gallery, London; Istanbul Modern, Turkey; MAAT and Docslisboa, Portugal; Sharjah Biennial 13, UAE; Bergen Assembly, Norway; at NTU Centre for Contemporary Art, Singapore; the 56th Venice Biennale and SuperCommunity; Industry of Light, London; the Haus Der Kulturen der Welt; at Ashkal Alwan and the Beirut Art Centre, Lebanon; Le Gaite Lyric, Paris; the Canadian Centre for Architecture; and the Rat School of Art, Seoul amongst others. As a writer he has published essays in Relief Press, Into the Pines Press, The Journal for New Writing, VIA Magazine, Concord, Art Voices, Flaunt, LEAP, Hearings and e-flux.
Elemental Cinema brings together collaborative film works by Denise Ferreira da Silva and Arjuna Neuman. In this series of films, the four elements – water, earth, fire, air – inform the artists' meditations on an entangled existence and considerations of time and value that reimagine knowledge and existence "otherwise." The exhibition includes installations of their films Serpent Rain (2016), 4 Waters – Deep Implicancy (2019) and Soot Breath // Corpus Infinitum (2020), as well as archives related to the films.
[more]Investigate deeper into themes and issues related to Elemental Cinema with texts by Denise Ferreira da Silva, artist interviews, reviews and supplemental material of some of the works in the exhibition, as well as writings on the elements and archives.
[more]Join leading UBC scholars, artists, curators and critics in a series of midday conversations. We invite four prominent, disciplinarily distinct voices into the gallery to discuss productive intersections of their own work and the current exhibition, followed by a discussion that includes the audience. In this series, guests address Elemental Cinema, which brings together the collaborative film works of Denise Ferreira da Silva and Arjuna Neuman.
[more]Join us for a concert by the UBC Contemporary Players directed by Paolo Bortolussi in a program that celebrates the Belkin’s current exhibition, Elemental Cinema: Denise Ferreira da Silva and Arjuna Neuman.
[more]This symposium is occasioned by the exhibition Elemental Cinema: Denise Ferreira da Silva and Arjuna Neuman.
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