Collaboratively working since 1995, Canadian artists Janet Cardiff (b. 1957) and George Bures Miller (b. 1960) are internationally recognized for their immersive multimedia works that create multisensory experiences which draw the viewer into often unsettling narratives. Representing Canada at the 2001 Venice Biennale with Paradise Institute (2001), the artists received the Biennale’s Premio Prize and Benesse Prize, which recognizes artists who “break new artistic ground with an experimental and pioneering spirit.” In addition, Cardiff and Miller have had numerous solo shows at international venues including the 21st Century Museum of Contemporary Art, Kanazawa, ARoS Aarhus Art Museum; Vancouver Art Gallery; Art Gallery of Ontario, Toronto; Hamburger Bahnhof, Berlin; Modern Art Oxford; Miami Art Museum; Museo de Arte Contemporáneo de Monterrey; Museu d’Art Contemporani de Barcelona; and Mathildenhöhe, Darmstadt. A major show of the artists’ work is on view at the Lehmbruck Museum in Duisburg, Germany (2022), and will travel to Museum Tinguely in Basel, Switzerland in June 2023. Their work has been included in recent group exhibitions and biennales such as the 19th Biennale of Sydney in 2014 and dOCUMENTA (13). Recently, the artists debuted new site-specific commissions for Fondation Louis Vuitton, Paris, the Los Angeles Philharmonic, CA, The Menil Collection, Houston, TX, and the Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
From January until May, the Belkin’s outdoor screen will exhibit Janet Cardiff and George Bures Miller’s 3-minute video House Burning daily from 9 am until 9 pm.
A house is on fire. Eliciting the thrill and dismay that accompanies fire-watching, House Burning invites us into a kind of voyeurism, unsure of what we are witness to. For the video, the artists arranged to burn down a derelict farmhouse in rural Ontario while the local fire department supervised. The camera approaches the farmhouse from a muddy road while the viewer hears the sounds of the sirens from far off and eventually sees the firefighters arrive, with no particular sense of urgency. Footage from this event was used in The Paradise Institute (2001), an experiential installation which the artists presented at the 2001 Venice Biennale’s Canadian Pavilion. Today, when our global experience is one of unsettlement, when our collective house is on fire, when our shared knowledge is unstable, Cardiff and Miller’s work queries ideas of truth and delivers us to the fragile line between reality and fiction.
Collaboratively working since 1995, Canadian artists Janet Cardiff (b. 1957) and George Bures Miller (b. 1960) are internationally recognized for their immersive multimedia works that create multisensory experiences which draw the viewer into often unsettling narratives. Representing Canada at the 2001 Venice Biennale with Paradise Institute (2001), the artists received the Biennale’s Premio Prize and Benesse Prize, which recognizes artists who “break new artistic ground with an experimental and pioneering spirit.” In addition, Cardiff and Miller have had numerous solo shows at international venues including the 21st Century Museum of Contemporary Art, Kanazawa, ARoS Aarhus Art Museum; Vancouver Art Gallery; Art Gallery of Ontario, Toronto; Hamburger Bahnhof, Berlin; Modern Art Oxford; Miami Art Museum; Museo de Arte Contemporáneo de Monterrey; Museu d’Art Contemporani de Barcelona; and Mathildenhöhe, Darmstadt. A major show of the artists’ work is on view at the Lehmbruck Museum in Duisburg, Germany (2022), and will travel to Museum Tinguely in Basel, Switzerland in June 2023. Their work has been included in recent group exhibitions and biennales such as the 19th Biennale of Sydney in 2014 and dOCUMENTA (13). Recently, the artists debuted new site-specific commissions for Fondation Louis Vuitton, Paris, the Los Angeles Philharmonic, CA, The Menil Collection, Houston, TX, and the Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
Janet Cardiff and George Bures Miller, House Burning, 2001. Photo: Rachel Topham Photography
Collaboratively working since 1995, Canadian artists Janet Cardiff (b. 1957) and George Bures Miller (b. 1960) are internationally recognized for their immersive multimedia works that create multisensory experiences which draw the viewer into often unsettling narratives. Representing Canada at the 2001 Venice Biennale with Paradise Institute (2001), the artists received the Biennale’s Premio Prize and Benesse Prize, which recognizes artists who “break new artistic ground with an experimental and pioneering spirit.” In addition, Cardiff and Miller have had numerous solo shows at international venues including the 21st Century Museum of Contemporary Art, Kanazawa, ARoS Aarhus Art Museum; Vancouver Art Gallery; Art Gallery of Ontario, Toronto; Hamburger Bahnhof, Berlin; Modern Art Oxford; Miami Art Museum; Museo de Arte Contemporáneo de Monterrey; Museu d’Art Contemporani de Barcelona; and Mathildenhöhe, Darmstadt. A major show of the artists’ work is on view at the Lehmbruck Museum in Duisburg, Germany (2022), and will travel to Museum Tinguely in Basel, Switzerland in June 2023. Their work has been included in recent group exhibitions and biennales such as the 19th Biennale of Sydney in 2014 and dOCUMENTA (13). Recently, the artists debuted new site-specific commissions for Fondation Louis Vuitton, Paris, the Los Angeles Philharmonic, CA, The Menil Collection, Houston, TX, and the Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
With the opening of the Image Bank exhibition on June 18, 2021, the gallery is pleased to launch the Outdoor Screen, a 4x2 metre outdoor screen curated with media works from the Belkin’s permanent collection and archive alongside work commissioned specifically for this platform.
[more]“I am a citizen of art. Art is my country.” On 18 November 2022, we lost artist Michael Morris – painter, curator, photographer, performance artist – who has been a constant and defining thread through the gallery’s history. Through 11 January 2023, we are showing a selection of Michael’s video works from the archive and collection that imagine the garden, the forest and the shore as sites of research as well as repose.
[more]As part of Come Toward the Fire, an outdoor festival curated by Jarrett Martineau, curator in residence at the Chan Centre for the Performing Arts, the Belkin’s Outdoor Screen presents a selection of videos that feature the work and words of Musqueam artists, cultural knowledge keepers and community members.
[more]The Willful Plot brings together artists' practices to expand the notion of the garden as a site of tension between wild and cultivated, temporal and perpetual, public and private, sovereign and colonized. Here, the garden is considered by the artists not only as a delineated patch of earth, but as a story and a will to drive that story to complicate the way in which cultures and individuals see themselves in relation to ecology, sociality, belief and possibility. It is an opportunity to look at human relationships with land, flora, fauna and their interrelatedness. In its willfulness, the resistance garden is a counter-site, a heterotopia for alternative cultivation and potential transformation.
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