Tours and discussions of Beginning with the Seventies: Collective Acts can be arranged from Tuesday to Friday for groups and classes, lasting 50 minutes and longer. For more information, please contact Belkin Public Programs by email at belkin.tours@ubc.ca or by phone at (604) 822-5600.
Drop-in tours are available on Saturday and Sunday between 12:30 and 4 pm. Drop-in tours are casual and conversational, lasting about 15-30 minutes. These can be arranged the day-of at the Reception Desk or ahead of time by calling (604) 822-4883.
Join us for a concert by the UBC Contemporary Players at the Belkin Art Gallery. Ensemble Director Paolo Bortolussi presents a program that celebrates the Belkin Art Gallery’s current exhibition Beginning With the 70s: Collective Acts.
[more]Please join Professor Erin Silver (UBC Department of Art History, Visual Art and Theory) for a tour and discussion of some of the works in the current exhibition at the Morris and Helen Belkin Art Gallery, Beginning with the Seventies: Collective Acts.
[more]As part of the exhibition Beginning with the Seventies: Collective Acts, the Belkin is honoured to present an afternoon symposium addressing key issues in feminism related to collective organizing, mobilization and individual resistance. How does attention to the archive affect everyday experience and acts of resistance to hegemonic inequality? Attending to struggles with racism, sexism, heterosexism, and other intersecting oppressions, this program will address the exhibition and the stubborn frustrations that persist in perpetuity. Please join us in conversation with Candice Hopkins and Marilyn Dumont.
[more]Collective Acts taps into the generative potential of archival research by artists into experiments with collective organizing and cooperative production, presenting new work by Dana Claxton, Jeneen Frei Njootli and the ReMatriate Collective, Christine D’Onofrio and Heather Kai Smith, alongside work by Salish Weavers Guild members Mary Peters, Adeline Lorenzetto and Annabel Stewart. Beginning with the Seventies: Collective Acts is curated by Lorna Brown and is the third of four exhibitions based upon the Belkin Art Gallery’s research project investigating the 1970s, an era when social movements of all kinds – feminism, environmentalism, LGBTQ rights, Indigenous rights, access to health services and housing – began to coalesce into models of self-organization that overlapped with the production of art and culture. Noting the resurgence of art practice involved with social activism and an increasing interest in the 1970s from younger producers, the Belkin has connected with diverse archives and activist networks to bring forward these histories, to commission new works of art and writing and to provide a space for discussion and debate.
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