Jon Davies is a Montreal-based curator, writer and scholar. Davies has worked as Assistant Curator at The Power Plant Contemporary Art Gallery, Associate Curator at Oakville Galleries, and curated independent projects. His writing on film, video and contemporary art has been widely published. He is the author of Trash: A Queer Film Classic (Arsenal Pulp Press, 2009) and editor of Colin Campbell: More Voice-Over (Concordia University Press, 2021). He received his PhD in Art History from Stanford University and his dissertation is titled “The Fountain: Art, Sex and Queer Pedagogy in San Francisco, 1945-1995.”
Nalo Hopkinson is Professor of Creative Writing at UBC. She grew up in Jamaica, Guyana, Trinidad and the US before her family moved to Canada. She writes science fiction and fantasy, exploring their potential for centring non-normative voices and experiences. Her first novel, Brown Girl in the Ring, won the Warner Aspect First Novel Contest (1998). She has published six novels and numerous short stories. Her writing has received the John W. Campbell Award, Locus Magazine’s Best First Novel Award, the Sunburst Award for Canadian Literature of the Fantastic, the World Fantasy Award, the Andre Norton (Nebula) Award, the Gaylactic Spectrum Award, the Inkpot Award, the Octavia E. Butler Memorial Award and Canada’s Prix/Aurora Award. Hopkinson has been a Writer-in-Residence a number of times at the Clarion Science Fiction and Fantasy Writers’ Workshops in San Diego, California and Seattle, Washington. She was the editor of the fiction anthologies Mojo: Conjure Stories, and Whispers From the Cotton-Tree Root: Caribbean Fabulist Fiction. She was co-editor of So Long Been Dreaming: Postcolonial Science Fiction (with Uppinder Mehan), Particulates (with Rita McBride), Tesseracts 9 (with Geoff Ryman), and the fiction editor (with Kristine Ong Muslim) of “People of Colo(u)r Destroy Science Fiction,” a special issue of Lightspeed Magazine. Hopkinson was one of the founders of the Carl Brandon Society, which exists to further the conversation on race and ethnicity in speculative fiction. As a professor of creative writing at the University of California Riverside, she was a member of a research cluster in science fiction, and of the University of California’s “Speculative Futures Collective.” In 2021 the Science Fiction Writers of America honoured her with the Damon Knight Memorial “Grand Master” Award, recognizing her lifetime of achievements in writing, mentorship and teaching. In 37 years she was the youngest person to receive the award, and the first woman of African descent. She has received honorary Doctor of Letters degrees from Anglia Ruskin University and the Ontario College of Art and Design University.
Jamie Parra is Assistant Professor of English at Skidmore College. His writing has appeared in J19, Novel and American Literary History. He is currently working on Sky Water, a book about slavery, visual culture, and literary form in 19th-century US literature.
Shelly Rosenblum is Curator of Academic Programs at the Belkin. Inaugurating this position at the Belkin, Rosenblum’s role is to develop programs that increase myriad forms of civic and academic engagement at UBC, the wider Vancouver community and beyond. Rosenblum received her PhD at Brown University and has taught at Brown, Wesleyan and UBC. Her awards include fellowships from the Center for the Humanities, Wesleyan University and a multi-year Presidential Postdoctoral Research Fellowship, Department of English, UBC. She was selected for the Summer Leadership Institute of the Association of Academic Museums and Galleries at the Kellogg School of Management, Northwestern University (2014). Her research interests include issues in contemporary art and museum theory, discourses of the Black Atlantic, critical theory, narrative and performativity. Her teaching covers the 17th to the 21st centuries. She remains active in professional associations related to academic museums and cultural studies, attending international conferences and workshops, and recently completing two terms (six years) on the Board of Directors at the Western Front, Vancouver, including serving as Board President. At UBC, Rosenblum is an Affiliate of the Peter Wall Institute for Advanced Studies.
Join us for an afternoon symposium responding to That Directionless Light of the Future: Rediscovering Russell FitzGerald, an exhibition which grapples with a difficult and overlooked figure, exploring how the most idiosyncratic artists can crack open familiar historical narratives. Curator Jon Davies will be joined by Nalo Hopkinson and Jamie Parra for a fulsome discussion about the artist and themes taken up in the exhibition.
Russell FitzGerald (1932–1978) found few opportunities to show his paintings during his short and tortured life. No one knew what to make of these ambitious figurative, literary and mystical works that have more in common with visionary William Blake than with Abstract Expressionism or Minimalism. Made in San Francisco in the late 1950s, Pennsylvania and New York City in the 1960s and Vancouver in the 1970s, it is miraculous that any “FitzGeralds” survived at all. The artist struggled with addiction and died at age 45.
FitzGerald’s widow Dora donated almost all of Russell’s extant works to the Belkin and they have not been gathered into a solo survey before now. The exhibition explores how secret and subcultural knowledge complicates archiving and transmission; and how some artists both reflect and are out of joint with their historical contexts, consumed as they are with their own cosmologies and drives. Through his singular perversity, FitzGerald shines a new light on the aesthetic, sexual, racial, and spiritual imaginaries of the postwar avant-garde.
We invite you to join us in an experiment in thinking about this exhibition together, to consider the different contextual forces at play from mysticism and intoxication to poetry and queer bohemian networks to Harlem jazz and the long history of America’s racial fantasies. We are interested in performing a pedagogical model of speculation and “unknowing,” and to consider the value of anti-heroic “bad kin” and “difficult kinship” (to quote queer historian Jennifer V. Evans) in our current moment.
Jon Davies is a Montreal-based curator, writer and scholar. Davies has worked as Assistant Curator at The Power Plant Contemporary Art Gallery, Associate Curator at Oakville Galleries, and curated independent projects. His writing on film, video and contemporary art has been widely published. He is the author of Trash: A Queer Film Classic (Arsenal Pulp Press, 2009) and editor of Colin Campbell: More Voice-Over (Concordia University Press, 2021). He received his PhD in Art History from Stanford University and his dissertation is titled “The Fountain: Art, Sex and Queer Pedagogy in San Francisco, 1945-1995.”
Nalo Hopkinson is Professor of Creative Writing at UBC. She grew up in Jamaica, Guyana, Trinidad and the US before her family moved to Canada. She writes science fiction and fantasy, exploring their potential for centring non-normative voices and experiences. Her first novel, Brown Girl in the Ring, won the Warner Aspect First Novel Contest (1998). She has published six novels and numerous short stories. Her writing has received the John W. Campbell Award, Locus Magazine’s Best First Novel Award, the Sunburst Award for Canadian Literature of the Fantastic, the World Fantasy Award, the Andre Norton (Nebula) Award, the Gaylactic Spectrum Award, the Inkpot Award, the Octavia E. Butler Memorial Award and Canada’s Prix/Aurora Award. Hopkinson has been a Writer-in-Residence a number of times at the Clarion Science Fiction and Fantasy Writers’ Workshops in San Diego, California and Seattle, Washington. She was the editor of the fiction anthologies Mojo: Conjure Stories, and Whispers From the Cotton-Tree Root: Caribbean Fabulist Fiction. She was co-editor of So Long Been Dreaming: Postcolonial Science Fiction (with Uppinder Mehan), Particulates (with Rita McBride), Tesseracts 9 (with Geoff Ryman), and the fiction editor (with Kristine Ong Muslim) of “People of Colo(u)r Destroy Science Fiction,” a special issue of Lightspeed Magazine. Hopkinson was one of the founders of the Carl Brandon Society, which exists to further the conversation on race and ethnicity in speculative fiction. As a professor of creative writing at the University of California Riverside, she was a member of a research cluster in science fiction, and of the University of California’s “Speculative Futures Collective.” In 2021 the Science Fiction Writers of America honoured her with the Damon Knight Memorial “Grand Master” Award, recognizing her lifetime of achievements in writing, mentorship and teaching. In 37 years she was the youngest person to receive the award, and the first woman of African descent. She has received honorary Doctor of Letters degrees from Anglia Ruskin University and the Ontario College of Art and Design University.
Jamie Parra is Assistant Professor of English at Skidmore College. His writing has appeared in J19, Novel and American Literary History. He is currently working on Sky Water, a book about slavery, visual culture, and literary form in 19th-century US literature.
Shelly Rosenblum is Curator of Academic Programs at the Belkin. Inaugurating this position at the Belkin, Rosenblum’s role is to develop programs that increase myriad forms of civic and academic engagement at UBC, the wider Vancouver community and beyond. Rosenblum received her PhD at Brown University and has taught at Brown, Wesleyan and UBC. Her awards include fellowships from the Center for the Humanities, Wesleyan University and a multi-year Presidential Postdoctoral Research Fellowship, Department of English, UBC. She was selected for the Summer Leadership Institute of the Association of Academic Museums and Galleries at the Kellogg School of Management, Northwestern University (2014). Her research interests include issues in contemporary art and museum theory, discourses of the Black Atlantic, critical theory, narrative and performativity. Her teaching covers the 17th to the 21st centuries. She remains active in professional associations related to academic museums and cultural studies, attending international conferences and workshops, and recently completing two terms (six years) on the Board of Directors at the Western Front, Vancouver, including serving as Board President. At UBC, Rosenblum is an Affiliate of the Peter Wall Institute for Advanced Studies.
Jon Davies's work as a writer and curator is grounded in contemporary art, cinema and queer studies. His exhibition That Directionless Light of the Future features rarely seen works by American artist and writer Russell FitzGerald (1932-78) and his contemporaries, largely from the Bay Area, to explore how secret and subcultural knowledge complicates archiving and transmission.
[more]We are pleased to welcome back the UBC Contemporary Players to the Belkin for a concert inspired by the current exhibitions: That Directionless Light of the Future: Rediscovering Russell FitzGerald and An Opulence of Squander.
[more]Weiyi Chang's curatorial research into ecological methodologies in contemporary art inform her exhibition An Opulence of Squander. The group exhibition features artworks from the Belkin's collection and beyond that critique the imperative for growth at all costs, growth that has contributed to our collective ecological and social conundrum.
[more]Curated by Jon Davies, That Directionless Light of the Future: Rediscovering Russell FitzGerald features rarely seen works by American artist and writer Russell FitzGerald (1932-78) and his contemporaries, largely from the Bay Area, to explore how secret and subcultural knowledge complicates archiving and transmission. This reading room offers resources relating to the themes and artists present in this exhibition.
[more]Join us for an online monthly three-part conversation series hosted by curator Weiyi Chang. In each session she will engage an artist or scholar about their work in the context of one of the provocations running through the exhibition An Opulence of Squander.
[more]As part of the exhibition An Opulence of Squander, Soft Turns' ematerial (2019) plays on the Outdoor Screen from 9 am to 9 pm daily.
[more]Kelly Wood's Half Empty Bag and White Garbage (both 1997) are part of the exhibition An Opulence of Squander curated by Weiyi Chang at the Belkin, which considers our collective responsibilities as caretakers of artworks and as shapers of reconsidered and increasingly urgent narratives; more of Kelly Wood's work can be seen here.
[more]Curated by Weiyi Chang, An Opulence of Squander brings together works from the Belkin’s collection and archive with artists that consider concepts of surplus and excess to question the dual ascription of artistic work as a form of both luxury and waste. This reading room offers resources relating to the themes and artists present in this exhibition.
[more]