Nadia Shihab is a filmmaker, artist and Fulbright scholar working in the realm of experimental documentary, and she is an Assistant Professor of film at Simon Fraser University’s School for Contemporary Arts. Her projects emerge through processes that are relational, and have taken the form of films, sound composition/performance, visual art and writing. She is the director of SISTER MOTHER LOVER CHILD, ECHOLOCATION, AMAL’S GARDEN, and the feature-length film JADDOLAND, which was awarded five festival jury awards, including the Independent Spirit “Truer than Fiction” Award, and went on to broadcast for three seasons on US public television. Her work has shown in exhibitions and festivals internationally, including at Cinema du Réel at the Centre Pompidou, Cairo International Film Festival, Images Festival, Black Star Film Festival, Walker Art Center, Berkeley Art Museum, DOXA, Kasseler Dokfest, and Alchemy Film & Video Arts Festival. She has held residencies at the MacDowell Colony and Djerassi Residency and her work has received support from the Sundance Institute, Arab Fund for Arts & Culture, Center for Asian American Media, Firelight Media, and Tribeca Film Institute.
Please join us at the Libby Leshgold Gallery for an artist talk, Reassemblage in the Relational Film, in conjunction with Nadia Shihab’s work, Sitting Room, 1987, on the Emily Carr University Urban Screen. In her lecture, Shihab explores how her filmmaking practice responds to rupture and loss through the reworking of fragments, while centering intergenerational collaboration, sound and polyvocality, the feminist archive, and resistance.
This event is co-presented by the Libby Leshgold Gallery and Critical Image Forum, an initiative for Research in Photography and Expanded Documentary at the University of British Columbia.
In Sitting Room, 1987 Nadia Shihab revisits images photographed by her mother with attention to the inconsistencies at the margins. Placed alongside each other the images reveal an interior panorama, where the end of one image leads to the beginning of another. By looking closely at her own mother’s ‘looking’, Sitting Room, 1987 retraces moments of rupture and possibility by asking: what does it mean to look and look again?
Commissioned for the ECU Urban Screen, Sitting Room, 1987 revisits material from Shihab’s earlier work Echolocation (2021) exploring the translation of familial archives for an evolving public audience.
Nadia Shihab is a filmmaker, artist and Fulbright scholar working in the realm of experimental documentary, and she is an Assistant Professor of film at Simon Fraser University’s School for Contemporary Arts. Her projects emerge through processes that are relational, and have taken the form of films, sound composition/performance, visual art and writing. She is the director of SISTER MOTHER LOVER CHILD, ECHOLOCATION, AMAL’S GARDEN, and the feature-length film JADDOLAND, which was awarded five festival jury awards, including the Independent Spirit “Truer than Fiction” Award, and went on to broadcast for three seasons on US public television. Her work has shown in exhibitions and festivals internationally, including at Cinema du Réel at the Centre Pompidou, Cairo International Film Festival, Images Festival, Black Star Film Festival, Walker Art Center, Berkeley Art Museum, DOXA, Kasseler Dokfest, and Alchemy Film & Video Arts Festival. She has held residencies at the MacDowell Colony and Djerassi Residency and her work has received support from the Sundance Institute, Arab Fund for Arts & Culture, Center for Asian American Media, Firelight Media, and Tribeca Film Institute.
Critical Image Forum is a research project that focuses on the political, ethical, aesthetic and social dimensions of expanded documentary practices. The Forum's primary medium of research is photography, with an interest in how the proliferation of moving images, performance, sound and digital networks have challenged and complicated the veracity of the visual document.
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