Colleen Brown (Canadian, b. 1965) is an artist, writer, educator and cultural worker who lives and works in Vancouver. Known primarily as a sculptor, Brown explores the relationships of objects and materials as a means of thinking through abstraction and social encounters. Brown holds a BFA from Emily Carr University and an MFA from Bard College. She is currently artist-in-residence with the City of Maple Ridge, and has participated in exhibitions and events at Cooper Cole, Toronto; Vancouver Art Gallery, Burrard Art Foundation and The Apartment, Vancouver; Western Gallery, Bellingham; and Hedreen Gallery, Seattle. Brown is the recipient of a 2016 Portfolio Prize. Brown’s book If you lie down in a field, she will find you there was released in 2023 by Radiant Press.
Jamie Hilder is Associate Professor of Critical and Cultural Studies in the Faculty of Culture and Community at Emily Carr University. His practice, which stretches across writing, video, performance, installation, curation and sculpture, often addresses intersections of text and image, and is currently focused on how economic conditions function aesthetically in an era of global finance capital. His book Designed Words for a Designed World: The International Concrete Poetry Movement, 1955-1971 (McGill UP, 2016) contextualizes concrete visual poetry within a moment of emergent globalizing technologies such as nuclear weaponry, radio transistors, air travel and commercial graphic design. He seeks to foster collaborative relations with colleagues, students and materials where possible, and gratefully resides on the unceded, ancestral and traditional lands of the xʷməθkʷəy̓əm (musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) peoples.
Elizabeth Zvonar (Canadian, b. 1972) is an artist based in Vancouver. She makes objects and pictures that think through metaphor and the metaphysical, often using humour and referencing art history. Zvonar graduated from Emily Carr University after having studied at the Aichi Gakusen University in Toyota City, Japan and the Hokkaido University of Art and Design in Sapporo, Japan. She has had solo exhibitions at SFU Audain Gallery, Vancouver; Polygon Gallery, North Vancouver; and Daniel Faria Gallery, Toronto. Her work has been exhibited at the Southern Alberta Art Gallery, Lethbridge; Vancouver Art Gallery; Musee d’Art de Joliette, Quebec; and Aga Khan Museum, Toronto. Zvonar has held residencies at Malaspina Printmakers, the Banff Centre, and was a City of Vancouver Artist in Residence 2012-15. She has received awards and recognition including the 2015 Jack and Doris Shadbolt Foundation VIVA Award and was a finalist for the AIMIA | AGO Photography Prize in 2016. Her work was included in the 2021 Gestalten publication The Art of Protest, Political Art + Activism as well as the 2023 Phaidon publication Vitamin C+ Collage in Contemporary Art.
As part of the exhibition Aporia (Notes to a Medium), exhibiting artists Colleen Brown and Elizabeth Zvonar are in conversation with artist and writer Jamie Hilder. Having previously written intimately about Brown and Zvonar’s work, Hilder will moderate a discussion on the themes of uncertainty and doubt in their practices, as well as how memory and future predictions are interwoven throughout their work.
This talk will be audio-recorded; email us at belkin.gallery@ubc.ca if you are interested in listening to the recording following the event.
Colleen Brown (Canadian, b. 1965) is an artist, writer, educator and cultural worker who lives and works in Vancouver. Known primarily as a sculptor, Brown explores the relationships of objects and materials as a means of thinking through abstraction and social encounters. Brown holds a BFA from Emily Carr University and an MFA from Bard College. She is currently artist-in-residence with the City of Maple Ridge, and has participated in exhibitions and events at Cooper Cole, Toronto; Vancouver Art Gallery, Burrard Art Foundation and The Apartment, Vancouver; Western Gallery, Bellingham; and Hedreen Gallery, Seattle. Brown is the recipient of a 2016 Portfolio Prize. Brown’s book If you lie down in a field, she will find you there was released in 2023 by Radiant Press.
Jamie Hilder is Associate Professor of Critical and Cultural Studies in the Faculty of Culture and Community at Emily Carr University. His practice, which stretches across writing, video, performance, installation, curation and sculpture, often addresses intersections of text and image, and is currently focused on how economic conditions function aesthetically in an era of global finance capital. His book Designed Words for a Designed World: The International Concrete Poetry Movement, 1955-1971 (McGill UP, 2016) contextualizes concrete visual poetry within a moment of emergent globalizing technologies such as nuclear weaponry, radio transistors, air travel and commercial graphic design. He seeks to foster collaborative relations with colleagues, students and materials where possible, and gratefully resides on the unceded, ancestral and traditional lands of the xʷməθkʷəy̓əm (musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) peoples.
Elizabeth Zvonar (Canadian, b. 1972) is an artist based in Vancouver. She makes objects and pictures that think through metaphor and the metaphysical, often using humour and referencing art history. Zvonar graduated from Emily Carr University after having studied at the Aichi Gakusen University in Toyota City, Japan and the Hokkaido University of Art and Design in Sapporo, Japan. She has had solo exhibitions at SFU Audain Gallery, Vancouver; Polygon Gallery, North Vancouver; and Daniel Faria Gallery, Toronto. Her work has been exhibited at the Southern Alberta Art Gallery, Lethbridge; Vancouver Art Gallery; Musee d’Art de Joliette, Quebec; and Aga Khan Museum, Toronto. Zvonar has held residencies at Malaspina Printmakers, the Banff Centre, and was a City of Vancouver Artist in Residence 2012-15. She has received awards and recognition including the 2015 Jack and Doris Shadbolt Foundation VIVA Award and was a finalist for the AIMIA | AGO Photography Prize in 2016. Her work was included in the 2021 Gestalten publication The Art of Protest, Political Art + Activism as well as the 2023 Phaidon publication Vitamin C+ Collage in Contemporary Art.
Aporia (Notes to a Medium) considers how history, mythology and wishful thinking entwine across media and through mediums. Artists include Colleen Brown, Azza El Siddique, Dani Gal, Katie Kozak and Lucien Durey, Mark Lewis, Jenine Marsh, Jalal Toufic and Elizabeth Zvonar.
[more]This reading room offers resources relating to the themes and artists present in the exhibition Aporia (Notes to a Medium).
[more]As part of the exhibition Aporia (Notes to a Medium), the Belkin's Outdoor Screen will show Mark Lewis's From Third Beach 1 (2010) daily from 9 am to 9 pm.
[more]Elizabeth Zvonar's Gattamelata (2020) is part of the exhibition Aporia (Notes to a Medium) at the Belkin, which considers how history, mythology and wishful thinking entwine across media and through mediums; more of Elizabeth Zvonar's work can be seen here.
[more]Join artists Azza El Siddique and Jenine Marsh for a conversation about their practices and works in the current exhibition Aporia (Notes to a Medium).
[more]Sound Plots is an online audio series that highlights meaningful dialogues and interventions around exhibitions and programming at the Belkin. This series focuses on themes from the exhibition Aporia (Notes to a Medium) that consider doubt and its role as an important artistic and critical tool. Through conversations, talks and tours that are re-situated in an online space, Sound Plots acts as an archive, resource and invitation for all.
[more]Join us for a concert by the UBC Contemporary Players in a program that celebrates the Belkin’s current exhibition Aporia (Notes to a Medium). Directed by Paolo Bortolussi and coach Joanne S. Na, this UBC School of Music graduate and undergraduate student ensemble will breathe life into the gallery during an afternoon program.
[more]Join us for a talk by interdisciplinary artist Zach Blas, with a conversation to follow with Jayne Wilkinson.
[more]Please join us for this reading group in conjunction with Aporia (Notes to a Medium). The selected texts by Hito Steyerl and Zach Blas contend with ideas of doubt in technology - particularly in AI - and its ever-evolving interventions in our lives as tools of censorship and surveillance.
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