Shelly Rosenblum is Curator of Academic Programs at the Belkin. Inaugurating this position at the Belkin, Rosenblum’s role is to develop programs that increase myriad forms of civic and academic engagement at UBC, the wider Vancouver community and beyond. Rosenblum received her PhD at Brown University and has taught at Brown, Wesleyan and UBC. Her awards include fellowships from the Center for the Humanities, Wesleyan University and a multi-year Presidential Postdoctoral Research Fellowship, Department of English, UBC. She was selected for the Summer Leadership Institute of the Association of Academic Museums and Galleries at the Kellogg School of Management, Northwestern University (2014). Her research interests include issues in contemporary art and museum theory, discourses of the Black Atlantic, critical theory, narrative and performativity. Her teaching covers the 17th to the 21st centuries. She remains active in professional associations related to academic museums and cultural studies, attending international conferences and workshops, and recently completing two terms (six years) on the Board of Directors at the Western Front, Vancouver, including serving as Board President. At UBC, Rosenblum is an Affiliate of the Peter Wall Institute for Advanced Studies.
Maria Eichhorn (German, b. 1962), one of the most rigorous artists working today, lives and works in Berlin. She studied at the Berlin University of the Arts and has been teaching at the School of Art and Design in Zurich since 2003. Her most recent exhibitions include solo exhibitions at the Migros Museum of Contemporary Art, Zurich (2018), the Chisenhale Gallery, London (2016), the Morris and Helen Belkin Art Gallery, Vancouver (2015) and the Kunsthaus Bregenz (2014). Eichhorn participated in documenta 14 in Athens and Kassel (2017), documenta 11 in Kassel (2002), the 45th and 56th Venice Biennales (1993, 2015) and the 4th and 9th Istanbul Biennials (1995, 2005).
Belkin 101, an informal reading group, opens up a space for discussion relating to our current exhibition, Maria Eichhorn. Please join Shelly Rosenblum, Curator of Academic Programs, for:
Performance/Politics/Publics: Readings in Film & Visual Studies
All readings are readily available on the web or through the UBC Library system using your CWL; if you are having trouble sourcing any of the articles, email us at belkin.gallery@ubc.ca and we will send you the link.
Join us on Wednesdays in October and November from 1:00 pm to 2:00 pm.
Everyone is welcome and admission is always free.
October 7 | W.J.T. Mitchell, “Showing Seeing: A Critique of Visual Culture,” Journal of Visual Culture 1:2 (2002), pp. 165-181.
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October 14 | Tour of the Maria Eichhorn exhibition
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October 21 | Andrea Fraser, “What’s Intangible, Transitory, Mediating, Participatory, and Rendered in the Public Sphere?,” OCTOBER 80 (Spring 1997), pp. 111-116.
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October 28 | Georg Schöllhammer, “Those Nineties,” in Adorno: The Possibility of the Impossible, eds. Nicolaus Schafhausen, Vanessa Joan Müller and Michael Hirsch (Frankfurt: Frankfurter Kunstverein and Lukas & Sternberg, 2003), pp. 28-37.
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November 4 | Donna Haraway, “The Persistence of Vision,” in The Visual Culture Reader, ed. Nicholas Mirzoeff (New York: Routledge, 2002), pp. 677-684.
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November 11 | UBC CLOSED FOR REMEMBRANCE DAY – no meeting
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November 18 | Nina Power, “Pornography as a Privileged Mode of Work” and “The Money Shot: Pornography and Capitalism” in One Dimensional Woman(Winchester, UK and Washington, DC: O Books, 2009), pp. 45-67.
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November 25 | Wendy Brown, “Desiring Walls” in Walled States, Waning Sovereignty (New York: Zone Books, 2010), pp. 107-133.
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Shelly Rosenblum is Curator of Academic Programs at the Belkin. Inaugurating this position at the Belkin, Rosenblum’s role is to develop programs that increase myriad forms of civic and academic engagement at UBC, the wider Vancouver community and beyond. Rosenblum received her PhD at Brown University and has taught at Brown, Wesleyan and UBC. Her awards include fellowships from the Center for the Humanities, Wesleyan University and a multi-year Presidential Postdoctoral Research Fellowship, Department of English, UBC. She was selected for the Summer Leadership Institute of the Association of Academic Museums and Galleries at the Kellogg School of Management, Northwestern University (2014). Her research interests include issues in contemporary art and museum theory, discourses of the Black Atlantic, critical theory, narrative and performativity. Her teaching covers the 17th to the 21st centuries. She remains active in professional associations related to academic museums and cultural studies, attending international conferences and workshops, and recently completing two terms (six years) on the Board of Directors at the Western Front, Vancouver, including serving as Board President. At UBC, Rosenblum is an Affiliate of the Peter Wall Institute for Advanced Studies.
Maria Eichhorn (German, b. 1962), one of the most rigorous artists working today, lives and works in Berlin. She studied at the Berlin University of the Arts and has been teaching at the School of Art and Design in Zurich since 2003. Her most recent exhibitions include solo exhibitions at the Migros Museum of Contemporary Art, Zurich (2018), the Chisenhale Gallery, London (2016), the Morris and Helen Belkin Art Gallery, Vancouver (2015) and the Kunsthaus Bregenz (2014). Eichhorn participated in documenta 14 in Athens and Kassel (2017), documenta 11 in Kassel (2002), the 45th and 56th Venice Biennales (1993, 2015) and the 4th and 9th Istanbul Biennials (1995, 2005).
Artist Maria Eichhorn discusses her exhibition. Click through for a video of the talk.
[more]Once again, we are pleased to welcome the UBC Contemporary Players to the Belkin Art Gallery for a concert inspired by the exhibition Maria Eichhorn.
[more]Maria Eichhorn is a German artist based in Berlin who has been exhibiting since the late 1980s. Her works often enact a social situation and involve an analysis of institutions. In general, Eichhorn’s works offer an interrogation of how power is distributed and unveil the abstract aspect of economies. “The work of Maria Eichhorn is layered and complex, rich and textured, both literal and metaphysical and often highly poetic and allusive." This exhibition will be the first time Eichhorn’s work has been seen in Vancouver, and the Belkin is presenting two ongoing projects, Prohibited Imports (2003/08 and 2015) and Film Lexicon of Sexual Practices (1999/2005/2008/2014/2015), that are augmented on this occasion with newly commissioned works added to each series.
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