Shelly Rosenblum is Curator of Academic Programs at the Belkin. Inaugurating this position at the Belkin, Rosenblum’s role is to develop programs that increase myriad forms of civic and academic engagement at UBC, the wider Vancouver community and beyond. Rosenblum received her PhD at Brown University and has taught at Brown, Wesleyan and UBC. Her awards include fellowships from the Center for the Humanities, Wesleyan University and a multi-year Presidential Postdoctoral Research Fellowship, Department of English, UBC. She was selected for the Summer Leadership Institute of the Association of Academic Museums and Galleries at the Kellogg School of Management, Northwestern University (2014). Her research interests include issues in contemporary art and museum theory, discourses of the Black Atlantic, critical theory, narrative and performativity. Her teaching covers the 17th to the 21st centuries. She remains active in professional associations related to academic museums and cultural studies, attending international conferences and workshops, and recently completing two terms (six years) on the Board of Directors at the Western Front, Vancouver, including serving as Board President. At UBC, Rosenblum is an Affiliate of the Peter Wall Institute for Advanced Studies.
Belkin 101 opens up a space for discussion relating to our current exhibition, Ai Weiwei: New York Photographs 1983-1993. Please join Shelly Rosenblum, Curator of Academic Programs, for an informal reading group to discuss:
Topics in Photography
All readings are readily available on the web or through the UBC Library system using your CWL; if you are having trouble sourcing any of the articles, email us at belkin.gallery@ubc.ca and we will send you the link.
Join us on Wednesdays in September and October from 1 pm to 2 pm.
Everyone is welcome and admission is always free.
September 17 |
Rosemarie Waldrop “A Basis of Concrete Poetry.”John Tagg, “Evidence, Truth and Order: Photographic Records and the Growth of the State.”
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September 24 |
Martha Rosler, “In, Around, and Afterthoughts (on Documentary Photography).”
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October 1 |
Lisa Henderson, “Access and Consent in Public Photography.”
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October 8 |
David A. Bailey and Stuart Hall, “The Vertigo of Displacement.”
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October 15 |
Douglas Crimp, “The Museum’s Old, the Library’s New Subject.”
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October 22 |
Join us for Tyler Kinnear’s SOUNDWALK, 2-4pm (no reading today).
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October 29 |
David Bate, “Art, Education, Photography.”
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Shelly Rosenblum is Curator of Academic Programs at the Belkin. Inaugurating this position at the Belkin, Rosenblum’s role is to develop programs that increase myriad forms of civic and academic engagement at UBC, the wider Vancouver community and beyond. Rosenblum received her PhD at Brown University and has taught at Brown, Wesleyan and UBC. Her awards include fellowships from the Center for the Humanities, Wesleyan University and a multi-year Presidential Postdoctoral Research Fellowship, Department of English, UBC. She was selected for the Summer Leadership Institute of the Association of Academic Museums and Galleries at the Kellogg School of Management, Northwestern University (2014). Her research interests include issues in contemporary art and museum theory, discourses of the Black Atlantic, critical theory, narrative and performativity. Her teaching covers the 17th to the 21st centuries. She remains active in professional associations related to academic museums and cultural studies, attending international conferences and workshops, and recently completing two terms (six years) on the Board of Directors at the Western Front, Vancouver, including serving as Board President. At UBC, Rosenblum is an Affiliate of the Peter Wall Institute for Advanced Studies.
Ai Weiwei: New York Photographs 1983–1993 consists of 227 black-and-white photographs taken by the artist during the decade that he resided in New York City, his first time away from China. The photographs were personally selected by the artist from over 10,000 negatives that are housed at Three Shadows Photography Art Center in Beijing and together represent a single work of art—no one image is more important than another. The exhibition is complemented by a 43-minute video interview with Ai Weiwei by Zheng Shengtian and videographer Don Li-Leger that discusses his growing up during the Cultural Revolution and his time in New York.
[more]In conjunction with The Cinémathèque, we are pleased to present Alison Klayman’s award-winning documentary film Ai Weiwei: Never Sorry, which examines the complex intersection of artistic practice and social activism as seen through the life and art of the artist. Please join us immediately before the film for an introduction by Carol Lu, artistic director and chief curator of OCAT Shenzhen.
[more]Curator Keith Wallace discusses the exhibition Ai Weiwei: New York Photographs 1983-1993. Click through for a video of the talk.
[more]Join leading UBC scholars, artists, curators and critics in a series of midday conversations. We invite two prominent, disciplinarily distinct voices into the Gallery to discuss productive intersections of their own work and the current exhibition, followed by a discussion that includes the audience.
[more]Once again, we are pleased to welcome the UBC Contemporary Players to the Belkin Art Gallery for a concert inspired by the exhibition Ai Weiwei: New York Photographs 1983-1993.
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