Exhibition catalogue from Geneviève Cadieux at the Belkin (17 April–13 June 1999) with texts in English and French by Scott Watson, Chantal Pontbriand and Laurence Louppe. The exhibition features a new video-projection, Paramour (1998), produced for the Belkin by Cadieux. The work is based on an archetypal dialogue between a man and a woman, from a passage in The Malady of Death by Marguerite Duras. The work startles with its seeming declaration that love and desire are impossible, but then opens up into other issues in the show and to the cinematic underpinnings of Cadieux’s photographs. Cadieux’s works demand a certain endurance from their viewers. They provoke strong, conflicting emotions (fear/euphoria, desire/repression, articulation/silene) and raise questions about the body, desire and gesture that all point to a crisis in subjectivity. These very large scale images of the human body, face and landscape impose a kind of claustrophobia—forcing us too close—but also promising an oceanic feeling of release and openness.