Laurie White is a curator and writer whose research explores modes of ecological practice in contemporary art and theory. Recent curatorial projects include Surface, Sample, Site, an exhibition of eco-materialist photography for Gallery 44, Toronto. Her writing appears in the catalogues Beginning with the Seventies (Belkin, 2020), Wetland Project: Explorations in Sound, Ecology and Post-Geographical Art (Figure 1 Publishing, 2022) and A Dream in the Eye: The Complete Paintings and Collages of Phyllis Webb (Talonbooks, 2023). White holds an MA in Critical and Curatorial Studies from UBC, where she is currently pursuing doctoral studies in art history.