• Rebecca Belmore

    Artist

    A member of Lac Seul First Nation (Anishinaabe), Rebecca Belmore is an internationally recognized multidisciplinary artist currently residing in Toronto. Rooted in the political and social realities of Indigenous communities, Belmore’s works make evocative connections among bodies, land and language. Her exhibitions: include Biinjiya’iing Onji (From Inside), documenta 14 (2017); KWE: The Work of Rebecca Belmore, Justina M. Barnicke Gallery (2011); Rebecca Belmore: Rising to the Occasion, Vancouver Art Gallery (2008); and Fountain, Venice Biennale (2005). Performances include: Facing the Monumental (2012); Victorious (2011); X (2010); Vigil (2002); Wild (2001), and Creation or Death We Will Win (1991). Belmore’s sculptures and installations include Wave Sound, Parks Canada, 2017; Trace, Canadian Museum for Human Rights (2014), and Ayum-ee-aawach Oomama-mowan: Speaking to Their Mother, (performances 1991, 1992, 1996 and 2008). Belmore received the Governor General’s Award in Visual and Media Arts in 2013, the Hnatyshyn Visual Arts Award in 2009, the Jack and Doris Shadbolt Foundation’s VIVA Award in 2004, and Honorary Doctorates from Emily Carr (2017) and OCADU (2005). Also in 2005, she was Canada’s official representative at the Venice Biennale. In 2016, Rebecca was awarded the prestigious Gershon Iskowitz Prize by the Gershon Iskowitz Foundation in partnership with the Art Gallery of Ontario.

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  • James Luna

    Curator
  • Charlotte Townsend-Gault

    Curator
  • Scott Watson

    Curator

    Scott Watson (Canadian, b. 1950) is Director of the Morris and Helen Belkin Art Gallery and Professor in the Department of Art History, Visual Art and Theory at the University of British Columbia. A curator whose career has spanned more than thirty-five years, Watson is internationally recognized for his research and work in curatorial and exhibition studies, contemporary art and issues, and art theory and criticism. His distinctions include the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art (2010); the Alvin Balkind Award for Creative Curatorship in BC Arts (2008) and the UBC Dorothy Somerset Award for Performance Development in the Visual and Performing Arts (2005). Watson has published extensively in the areas of contemporary Canadian and international art. His 1990 monograph on Jack Shadbolt earned the Hubert Evans Non-Fiction Prize in 1991. Recent publications include Letters: Michael Morris and Concrete Poetry (2015); Thrown: British Columbia’s Apprentices of Bernard Leach and their Contemporaries (2011), a finalist for the 2012 Roderick Haig-Brown Regional Prize; “Race, Wilderness, Territory and the Origins of the Modern Canadian Landscape” and “Disfigured Nature” (in Beyond Wilderness, McGill University Press, 2007); and “Transmission Difficulties: Vancouver Painting in the 1960s” (in Paint, Vancouver Art Gallery, 2006).

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