• B.C. Binning

    Artist
  • Agostino Bonalumi

    Artist
  • Valerios Caloutsis

    Artist
  • Kenneth Coutts-Smith

    Artist
  • Jean Dubuffet

    Artist
  • Tom Field

    Artist
  • Russell FitzGerald

    Artist
  • Robert Frank

    Artist
  • Gustave

    Artist
  • Brion Gysin

    Artist
  • Fran Herndon

    Artist
  • Innukjuakjuk, Jess

    Artist
  • Kenojuak, Kiakshuk

    Artist
  • Ann Kipling

    Artist
  • Roy Kiyooka

    Artist
  • Marion Nicoll

    Artist
  • Toni Onley

    Artist
  • Margaret Peterson

    Artist
  • Joe Plaskett

    Artist
  • Rotraut

    Artist
  • Jack Shadbolt

    Artist
  • Shequak, Simionee Quppapik

    Artist
  • Nancy Spero

    Artist
  • Tudlik, Weegee

    Artist
  • Joyce Wieland

    Artist
  • Carla Benzan, Curator

    Curator
  • Allison Collins, Curator

    Curator
  • Shaun Dacey, Curator

    Curator
  • Aldona Dziedziejko, Curator

    Curator
  • Darrin Martens, Curator

    Curator
  • Sarah Todd, Curator

    Curator
  • Scott Watson, Curator

    Curator

    Scott Watson (Canadian, b. 1950) is Director of the Morris and Helen Belkin Art Gallery and Professor in the Department of Art History, Visual Art and Theory at the University of British Columbia. A curator whose career has spanned more than thirty-five years, Watson is internationally recognized for his research and work in curatorial and exhibition studies, contemporary art and issues, and art theory and criticism. His distinctions include the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art (2010); the Alvin Balkind Award for Creative Curatorship in BC Arts (2008) and the UBC Dorothy Somerset Award for Performance Development in the Visual and Performing Arts (2005). Watson has published extensively in the areas of contemporary Canadian and international art. His 1990 monograph on Jack Shadbolt earned the Hubert Evans Non-Fiction Prize in 1991. Recent publications include Letters: Michael Morris and Concrete Poetry (2015); Thrown: British Columbia’s Apprentices of Bernard Leach and their Contemporaries (2011), a finalist for the 2012 Roderick Haig-Brown Regional Prize; “Race, Wilderness, Territory and the Origins of the Modern Canadian Landscape” and “Disfigured Nature” (in Beyond Wilderness, McGill University Press, 2007); and “Transmission Difficulties: Vancouver Painting in the 1960s” (in Paint, Vancouver Art Gallery, 2006). (2018)

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